Cinematographer
From Free net encyclopedia
A cinematographer (from 'cinema photographer') is one photographing with a motion picture camera (the art and science of which is known as cinematography). The title is generally equivalent to director of photography (DP or DoP), used to designate a chief over the camera and lighting crews working on a film, responsible for achieving artistic and techical decisions related to the image. The cinematographer is sometimes also the camera operator. The term cinematographer has been a point of contention for some time now; some professionals insist that it only applies when the director of photography and camera operator are the same person, although this is far from being uniformly the case. To most, cinematographer and director of photography are interchangeable terms.
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Responsibilites
The English system of camera department hierarchy sometimes firmly separates the duties of the director of photography from that of the camera operator to the point that the DP often has no say whatsoever over more purely operating-based visual elements such as framing. In this case, the DP is often credited as a lighting cameraman. This system means that the director will consult together with both the lighting cameraman for lighting and filtration, and the operator for framing and lens choices.
The American system tends to be the more widely-adopted, in which the rest of the camera department is totally subordinate to the DP, who with the director is the final word on all decisions related to both lighting and framing.
The cinematographer typically selects the film stock, lens, filters, etc. to realize the scene in accordance with the intentions of the director. Relations between the cinematographer and director vary; in some instances the director will allow the cinematographer complete independence; in others, the director allows little to none, even going so far as to specify aperture and shutter angle. Such a level of involvement is not common once the director and cinematographer have become comfortable with each other. The director will typically convey to the cinematographer what s/he wants from a scene visually, and allow the cinematographer latitude in achieving that effect.
On some shoots, a director may assume the duties of the cinematographer, especially when shooting nude scenes or in other physically intimate settings where the director wishes to have as few people as possible present.
Some of the crew who work under or closely with the cinematographer include:
- camera operator
- focus puller (1st assistant cameraman)
- clapper loader (2nd assistant cameraman)
- second unit
- assistant camera trainee (camera production assistant)
- gaffer, best boy, and electricians (also called Set Lighting Technicians, Lamp Operators or nicknamed "sparks" or "juicers")
- key grip, best boy grip, dolly grip, grips
- production designer and art director
- costume designer
- color timer or colorist
In some countries, cinematography is a unionized field.
ASC, ACS and BSC
Major international organizations involved in the advancement of cinematography include the American Society of Cinematographers (ASC), Australian Cinematographers Society (ACS) and the British Society of Cinematographers (BSC). These bodies are neither labor unions nor guilds, but are instead educational, cultural and professional organizations.
There are other similar organizations in many countries, including Argentina, Canada, Germany, Italy and Spain.
Noted Cinematographers
This section is for ground-breaking or renowned cinematographers. Please do not add names without careful consideration of the accomplishments of those listed here, most of whom have been well recognized by their peers over a long stretch of time or work.
- Nestor Almendros
- John Alton
- Lucien Ballard
- Adrian Biddle
- Billy Bitzer
- Jack Cardiff
- Christopher Challis
- Michael Chapman
- César Charlone
- Raoul Coutard
- Dean Cundey
- William H. Daniels
- Roger Deakins
- Caleb Deschanel
- Christopher Doyle
- A. A. Englander
- Freddie Francis
- Karl Freund
- Ron Fricke
- Tak Fujimoto
- James Glennon
- Conrad Hall
- Jack Hildyard
- James Wong Howe
- Janusz Kaminski
- Darius Khondji
- László Kovács
- Subrata Mitra
- Kazuo Miyagawa
- Oswald Morris
- Robby Muller
- Sven Nykvist
- Roger Pratt
- Rodrigo Prieto
- Robert Richardson
- Joseph Ruttenberg
- Douglas Slocombe
- John Seale
- Vittorio Storaro
- Gregg Toland
- John Toll
- Geoffrey Unsworth
- Roy H. Wagner
- David Watkin
- Haskell Wexler
- Billy Williams
- Gordon Willis
- Freddie Young
- Vadim Yusov
- Vilmos Zsigmond
Miscellaneous
The documentary film Visions of Light is an excellent look at the progression of the art of cinematography across film history, and includes interviews with many famous cinematographers. It is a good introduction for those interested in the field, and includes much in the way of archival footage, anecdotes, and famous cinematographers commenting on whom they looked up to.
See also
External links
- Cinematography.com
- Cinematography Mailing List (CML)
- American Society of Cinematographers
- British Society of Cinematographers
- International Cinematographers Guild
- European Federation of Cinematographers
- Creative Planet Communitiesde:Kameramann
eo:Ĉefa fotografisto fr:Directeur de la photographie hr:Snimatelj hu:Operatőr pl:Operator filmowy pt:Diretor de fotografia zh:攝影師