Early Renaissance painting
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Image:Arnolfini.jpg Early Renaissance painting bridges the period of European art history between the art of the Middle Ages and the art of the Renaissance.
Two regions of Europe were particularly artistically active during this period: Italy, initially, and later northern Europe (essentially Flanders). The Renaissance is considered to have reached northern Europe in the late 15th and early 16th century. Thus, most of the Early Renaissance works in northern Europe were produced between 1420 and 1550.
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Themes and symbolism
The works of art of this period features mainly religious themes (the Church was the main client of these artists), but also some purely figurative themes.
The religious symbolism is largely drawn from the work of Jacobus de Voragine, The Golden Legend (1260).
Some more mundane themes were treated, but they were often treated via a religious or mythological representations. For instance, Early Renaissance artists sometimes used the theme of Adam and Eve as a way to represent female and male nudes in a then morally acceptable way. Sometimes a fig leaf covered their genitals.
Techniques
- The use of perspective. The first major treatment of the painting as a window into space appeared in the work of Giotto di Bondone, at the beginning of the 14th century. True linear perspective was formalized later, by Filippo Brunelleschi and Leon Battista Alberti. In addition to giving a more realistic presentation of architecture, it moved Renaissance painters into using more unified compositions.
- Panel painting
Flemish artists
Main article: Early Netherlandish painting
- Hieronymus Bosch (c.1460-1518)
- Pieter Bruegel the Elder (c.1520-1569)
- Robert Campin (c.1380-1444)
- Petrus Christus (1410/1420-1472)
- Joos van Cleve
- Gerard David (c.1455–1523)
- Hubert van Eyck (1366?-1426)
- Jan van Eyck (1385?-1440?)
- Hugo van der Goes
- Adriaen Isenbrant (c.1490-1551)
- Limbourg brothers Franco-Flemish
- Quentin Matsys (1466-1530)
- Hans Memling (c.1430-1494)
- Joachim Patinir
- Roger van der Weyden (c.1400-1464)
Image:Eyck.hubert.lamb.750pix.jpg
German artists
- Albrecht Altdorfer (c.1480-1538)
- Hans Baldung (c.1480-1545), Alsatian
- Lucas Cranach the Elder (1472-1553)
- Lucas Cranach the Younger (1515-1586)
- Albrecht Dürer (1471-1528)
- Matthias Grünewald (c.1470-1528)
- Hans Holbein the Elder (c.1460-1524)
- Hans Holbein the Younger (c.1497–1543)
- Ambrosius Holbein (1494-1519)
French artists
Italian artists
- Fra Angelico (c.1395-1455)
- Giotto di Bondone (1267-1337)
- Donatello
- Masaccio
- Domenico Veneziano
- Filippo Lippi
- Andrea del Castagno
- Piero di Cosimo
- Paolo Uccello
- Antonello da Massina
- Antonio Pisanello
- Andrea Mantegna
- Luca Signorelli
- Baldovinetti
- Piero della Francesca
- Masolino
- Andrea del Verrocchio
- Domenico Ghirlandaio
- Benozzo Gozzoli
- Carlo Crivelli
- Sebastiano Mainardi
Works
- Ghent Altarpiece, by Hubert and Jan van Eyck
- The Arnolfini Portrait, by Jan van Eyck
- The Portinari Triptych, by Hugo van der Goes
Main viewing locations
- Musee Communal des Beaux-Arts, Bruges, Belgium
- Groeningemuseum, Bruges, Belgium
- Metropolitan Museum of Art, New York City
- Museo del Prado, Madrid, Spain - for works of Hieronymus Bosch
- Sainsbury Wing of the National Gallery, London - opened in 1991
Legacy
The Pre-Raphaelite painters of the 19th century - literally before Raphael (1483-1520) - copied the style of Early Renaissance paintings.