Graham Coxon

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Image:Tender 4.jpg Graham Coxon (born Graham Leslie Coxon on 12 March 1969, in Hanover, West Germany) is best known as the former guitarist in the British band Blur. He contributed to the band's first seven albums, from 1991's Leisure to the 2002 sessions for the following year's Think Tank, though he only features in one of its 13 tracks.

Coxon is a gifted musician, capable of playing many instruments. He has released six solo records (half of them while still a member of Blur) - where in a McCartney, Beckish-style he performs nearly all of the instruments. He also appears to have earned the respect of his peers. Radiohead's Jonny Greenwood - himself considered one of Britain's most innovative and accomplished musicians - praised Coxon's musicality and talent: "Anything that has more of Graham's guitar playing, I'm bound to like."

1 Biography
- 1.1 Work in Blur
  - 1.1.1 Blur reunion
- 1.2 Solo work
2 Solo discography
3 External links

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Biography

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Work in Blur

Graham Coxon studied Fine Arts at Goldsmiths College, London, for two years, until he chose to quit due to the increasing success of his band at the time - Seymour - who later changed its name and became Blur. Coxon's highly individual style is perhaps best showcased on songs such as "Beetlebum" and "You're So Great" (both from Blur's 1997 album Blur), the latter being his first solo record while in Blur, and "Coffee & TV" (from Blur's 13 for which he designed the cover art). He left the band in 2002 following a dispute with the other members. His last contribution to Blur was a song called "Battery in Your Leg", the closing song on Blur's 2003 album Think Tank, before leaving the line-up.

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Blur reunion

Although Damon Albarn has frequently said that the door is always open for Coxon to rejoin the band it is unlikely that this will happen in the near future. In 2004 it was rumoured that he was rejoining Blur, but both sides have denied this. Coxon stated that although a reunion meeting was a good one, he would not be rejoining Blur and remains firm on his decision. It seems they may have patched-up some differences and continued their friendship, despite the turmoil surrounding Coxon's departure.

Damon said that he just can't understand why there is such a tension, as they have known each other for twenty years and when they are in the same room everything's perfect. He explained that there is a horrible hole in the sound and acknowledged Graham as a vastly superior guitarist to himself. In 2005, Albarn said that he felt quite sad about the situation and he really wants Graham to return, so they can start properly working again on Blur albums. However, Coxon is apparently adamant, so Blur as a three-piece are now recording a new album, described by Albarn as a "basic stupid record", due to his own limited perceptions of himself as a guitarist.

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Solo work

Coxon had already released three solo albums whilst a member of Blur. His first, released on his own Transcopic label was The Sky is Too High in 1998, a ramshackle mixture of English folk music and 1960s-style garage rock, under the influence of Billy Childish. This was followed by the more extreme The Golden D in 1999 and the thoughtful Dylan-Drakesque Crow Sit on Blood Tree (2001).

After going solo full time, he released The Kiss of Morning in 2002. The album proved to be his most accessible to date and was promoted with the single "Escape Song" which proved to be an interesting hybrid of Syd Barrett's "Octopus" and progressive rock trail-blazers The Nice. In 2004, Coxon released his fifth solo album Happiness in Magazines, produced by ex-Blur producer Stephen Street. This proved to be his most successful album to date, and he received the NME Award for 'Best Solo Artist' in 2005.

Apart from being a musician, Coxon is also a gifted artist, and he designs all of his album sleeves. He studied fine art at Goldsmiths College for around a year in 1988, leaving to pursue his musical career with Blur. In his time there he mixed with upcoming talents such as Damien Hirst, Michael Landy, Sam Taylor-Wood, and Abigail Lane, some of the future leading lights of the Britart movement.

In September 2005, Graham told Xfm.co.uk that his “sentimental, despondent, whiny, stingy, horrible” sixth album is ready, with Stephen Street again producing, along with the same studios and engineers that worked with him for Happiness in Magazines. "I finished it in May and then it was another ten weeks of grafting, and twenty songs later it’s all done. I’m just deciding on the running order and I’m doing my drawing, thinking about the visual." Speaking about the sound of the record, Coxon admitted that while he was still writing more acoustic-sounding material, this may be stored up for a folk album.

In December 9 Coxon revealed that the album is to be called Love Travels At Illegal Speeds and was released in March 13, 2006. The LP was preceded by the singles "Standing On My Own Again" on February 27 and "You and I". Coxon embarked on a tour of the UK, starting in March 20 at Newcastle University.

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Solo discography

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Studio albums

The Sky is Too High (1998)- UK #31
The Golden D (2000)
Crow Sit on Blood Tree (2001)
The Kiss of Morning (2002)
Happiness in Magazines (2004) - UK #19
Love Travels At Illegal Speeds (2006) - UK #24

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Compilations

Live at the Zodiac download only EP [1]

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Singles

Title	Release date	Album	Peak chart positions
Title	Release date	Album	UK
"Thank God for the Rain" / "You Will Never Be"	30 July 2001	Crow Sit on Blood Tree	92
"Escape Song" / "Mountain of Regret"	14 October 2002	The Kiss of Morning	96
"Freakin' Out"	8 March 2004	Happiness in Magazines	37
"Bittersweet Bundle of Misery"	3 May 2004	Happiness in Magazines	22
"Spectacular"	26 July 2004	Happiness in Magazines	32
"Freakin' Out" / "All Over Me"	26 October 2004	Happiness in Magazines	19
"Standing on My Own Again"	27 February 2006	Love Travels at Illegal Speeds	20
"You & I"	8 May 2006	Love Travels at Illegal Speeds	N/A