Quadrophenia

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For the film based on this album, see Quadrophenia (film)

Quadrophenia was a double album released by The Who on October 19, 1973 (see 1973 in music), one of the group's two full-scale rock operas (except in a conventional use of the word "opera" as Quadrophenia is mostly a monoglot work rather than a varied drama). The name is a modification of the unscientific notion of schizophrenia as a multiple personality disorder to reflect the four distinct personalities of Jimmy, the opera's protagonist.

Contents

Development

Quadrophenia was originally released as a two-LP set with a butterfly jacket and a thick booklet containing lyrics, a text version of the story, and photographs illustrating the tale. MCA re-released it as a two-CD set in 1985 with the lyrics and text story line on a thin fold-up sheet but none of the photographs. The remastered CDs of 1996 include the full original booklet in miniature.

In the liner notes to the remastered Odds and Sods Townshend reveals that Quadrophenia evolved from an idea for a self-indulgent autobiography of the band. Two of the opera's tracks date from 1972, a year that also produced The Who's singles "Join Together" and "Long Live Rock" (the latter not actually released until 1974). However, by the time Quadrophenia was released the band's role in the story was only symbolic, via Jimmy's four personalities.

Quadrophenia was later made into a movie, with several additional songs done by Pete Townshend for the soundtrack.

In 1996, The Who, with a large backing group featuring Zak Starkey on drums (his first appearances as The Who's drummer) and Simon Townshend on guitar, performed Quadrophenia in its entirety for the first time that June in London's Hyde Park with guest performers Phil Daniels as the Narrator/Jimmy, Gary Glitter as The Rocker, Adrian Edmonson as the Ace Face/Bellboy and Pink Floyd's David Gilmour as the bus driver and played additional lead guitar for that performance. Then for the subsequent extensive tour of the US and the UK, Danie's was replaced and Gilmour's role was taken over by Simon Townshend. Gary Glitter and P.J. Proby (subsequently) made guest appearances as The Godfather, and Billy Idol also guested as the Ace Face/Bellboy and was subsequently replaced.

In 2005, A live performance of Quadrophenia from The Who's late 1996/early tour was included in a 3-disc box set released by Rhino Entertainment, also featuring a live performance of Tommy from 1989 as well as other hit songs performed live. Pete Townshend and Roger Daltrey provided special commentary, and an interview with Billy Idol (who appeared as the Ace Face/Bellboy on the '96 Quadrophenia tour) was also included.

In 2005, Luna C Productions staged a musical tribute to Quadrophenia in Los Angeles, starring Stephen Shareaux as Jimmy. The Who Show[1], a popular Who tribute group, were featured as The Who and performed the music. An additional performance took place in March 2006. [2]

Story

The story covers about two days of the life of a certain Jimmy, a participant in the early 1960s Mod lifestyle in England. "The story is set on a rock!" announced the composer, Pete Townshend, at one live performance. That remark seems to indicate that the opera represents Jimmy's looking back at the events of the previous day or two that led him into the gloomy situation where he finds himself at the end of the story. The narrative is difficult to derive from the lyrics, but is given along with Jimmy's commentary on various matters in a booklet included with the album.

To the extent that Quadrophenia can be said to tell a story at all, it tells it in the first person. The first half of the opera treats us to the frustrations and insecurities that govern Jimmy's life, including brief glimpses of his home life, his job, his psychoanalyst, and his unfruitful attempts to have a social life. Halfway through the opera he sings "I've Had Enough", finds himself kicked out of his home when his parents find his dope, gets pilled up and takes a train ride to the coast (Embodied in the song 5:15, which is supposed to be the time when the train arrives), steals a boat and takes it out to a barren rock protruding from the sea, and crashes psychologically. With nothing left to live for he finds redemption in the pouring rain, which is expressed in the final song, "Love, Reign o'er Me" (a manifestation of Townshend's spiritual fixation on water).

Musical Structure

Each of Jimmy's four personalities is supposed to be associated with one of the four musicians in The Who. The liner notes give it thus (names added):

In addition to describing a personality/band member, the four comments refer to the four theme songs that portray Jimmy's personalities in the opera: "Helpless Dancer", "Doctor Jimmy", "Bell Boy", and "Love Reign O'er Me". The four musical themes are mixed together in the penultimate track on the recording, an elaborate instrumental piece called "The Rock" as well as in the title track "Quadrophenia." The intermixing requires an unusual superposition of music in 3/4 time on top of music in 4/4 time, with the measures of both parts being the same length in time.

Critical Reaction and Impact

The lyrics to the song "The Punk and the Godfather" leave the impression that Townshend was aware of a musical rebellion called punk as early as 1973, with a dual interpretation of Townshend as the punk and his record company's executives as the godfather and/or younger musicians working in new styles as the punks and Townshend as the godfather.

In 2001, the TV network VH1 named Quadrophenia the 86th greatest album of all time. Template:RS500 And though it has been largely shrugged off by rock fans as being overblown and pretentious, fans of progressive rock often consider it The Who's best album for pretty much the same reasons.

Quadrophenia reached #2 on the US Billboard album chart and kept away from #1 by Elton John's Goodbye Yellow Brick Road album.

Track listing

All songs written by Pete Townshend.

This track list is for the LP version. In the CD versions, the break between the two discs is at the same point, between "I've Had Enough" and "5:15".

Side one

  1. "I am the Sea" – 2:08
  2. "The Real Me" – 3:22
  3. "Quadrophenia" – 6:15
  4. "Cut My Hair" – 3:46
  5. "The Punk And The Godfather" – 5:10

Side two

  1. "I'm One" – 2:39
  2. "The Dirty Jobs" – 4:30
  3. "Helpless Dancer" – 2:32
  4. "Is it in My Head" – 3:46
  5. "I've Had Enough" – 6:14

Side three

  1. "5:15" – 5:00
  2. "Sea and Sand" – 5:01
  3. "Drowned" – 5:28
  4. "Bell Boy" – 4:56

Side four

  1. "Doctor Jimmy" – 8:42
  2. "The Rock" – 6:37
  3. "Love, Reign o'er Me" – 5:48

Song Notes

The piano in "Dirty Jobs", "Helpless Dancer", "5:15" and "Drowned" was played by Chris Stainton.

Personnel

The album credits read:

"Remainder" is probably guitars, synthesizers, banjo, sound effects, vocals

Production Personnel

  • Pete Townshend – pre-production, special effects
  • Chris Stamp – executive producer
  • Pete Kameron – executive producer
  • Kit Lambert – executive producer
  • Ron Nevison – engineer, special effects
  • Ron Fawcus – mixing continuity, engineering assistance
  • Bob Ludwig - Remastering
  • Rod Houison – special effects
  • Graham Hughes – front cover design and photography
  • Ethan Russell – art direction, insert photography

External links

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