Supervillain

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Image:Doomlee.jpg A supervillain is a variant of the villain character type, commonly found in comic books, action movies and science fiction in various mediums. Supervillains often have colorful names, costumes and/or other eccentricities and concoct complex and ambitious schemes to accumulate power and suppress adversaries. Female supervillains are sometimes known as supervillainesses.

Supervillains are often used as foils to superheroes and other fictional heroes. Their extraordinary brainpower and/or superhuman abilities make them viable antagonists for even the most gifted heroes.

Many supervillains are inspired by typical characteristics of real world dictators, mobsters, and terrorists.

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Common Traits

While supervillains vary greatly, there are a number of attributes that define the character. Most supervillains have at least a few of the following traits:

  • A desire to commit spectacular crimes and/or rule the world—or in some cases an entire galaxy—through whatever means necessary, such as Darth Sidious aka Emperor Palpatine in the Star Wars saga.
  • A generally irritable and spiteful disposition and contempt for heroes, ordinary civilians, lackeys, and anyone else who may get in their way.
  • A sadistic nature and tendency to revel in their sociopathic behavior and/or supposed intellectual superiority
  • A brilliant scientific mind that he or she chooses to use for evil (see also mad scientist and evil genius).
  • Superhuman abilities or some special skill, similar to those of superheroes. Frequently, these skills are intellectual, inventive or involve technology-based powers and are gained through a desire to become more powerful, as opposed to the "natural" or "accidental" gifts possessed by superheroes. (Compare the origins of the Green Goblin or Doctor Octopus to their nemesis Spider-Man).
  • An enemy or group of enemies that he or she repeatedly fights.
  • A desire for revenge against said enemies. The method of revenge often goes beyond simply killing them to making them suffer before death, such as using deathtraps.
  • A dark and threatening-looking headquarters or lair, the location of which is usually kept secret from police, superheroes and the general public (Magneto’s headquarters Asteroid M, The Legion of Doom’s Hall of Doom). However, some supervillains who feel secure from prosecution live and work in palatial buildings (Doctor Doom's castles in his country of Latveria and Lex Luthor's LexCorp office buildings). Others are mobile and do not have one particular base of operations.
  • A theme by which he or she plots his crimes. For example, Two-Face plots his crimes around the concept of duality and Mysterio plots his around movie special effects.
  • Although super villain “team-ups” occasionally occur and some supervillain teams exist (such as the Brotherhood of Mutants and Sinister Six), most supervillains do not collaborate with one another but employ a team of simple-minded and expendable henchmen to assist them. Some supervillains, such as Darth Vader and Cobra Commander, control entire armies.
  • A strong commitment to their criminal profession to the point where they will quickly resume their activities in their favorite area immediately after escaping prison or recovering from serious injury.
  • A refusal to accept responsibility for personal mistakes and setbacks in favor of blaming their enemies
  • A back story or origin story that explains how the character transformed from an ordinary person into a supervillain. The story usually involves some great tragedy that marked the change. In the case of many supervillains, including Two-Face, Magneto, Doctor Doom, and some versions of Lex Luthor, this story involves a one-time friendship with their future foe.
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Personality Types

One thing that supervillains do not share is motivation; characters choose to become supervillains for many different reasons: Image:Luthor1.jpg Image:Jokerkillingjoke.png

  • Red Skull, Lex Luthor, Professor Moriarty, and many others are portrayed as outright evil and power-hungry. Few writers attempt to portray them with any sense of humanity or redeeming qualities. This approach was common in the Golden Age of Comic Books, but subsequent writers prefer more sympathetic villains. Marvel Comics writer/editor Stan Lee often says it is more important that fans sympathize with villains than heroes.
  • Darth Vader, Venom and the Green Goblin, have fallen under some corrupting influence. In some cases, such the famous ending of Star Wars: Return of the Jedi, the character overcomes their manipulator and is able to somewhat redeem himself.
  • Sabretooth, Typhoid Mary, The Joker and most other Batman villains are criminally insane and incapable of controlling their murderous urges.
  • Sandman, Electro and Blob are simply thugs with superhuman abilities. They often work as henchmen of more ambitious and intelligent supervillains.
  • Man-Bat, The Lizard and Sauron undergo werewolf-like transformations into animalistic creatures that cannot control their savagery.
  • Mr. Mxyzptlk, Impossible Man and Q, are tricksters who torment heroes for their own pleasure.
  • Skeletor, Davros and Brainiac are extraterrestrials and their behavior is either common or encouraged on their home planets.
  • A few characters deemed supervillains actually have goals that could be considered noble but pursue them in extreme ways. The best-known example of this is the X-Men’s enemy Magneto, a Holocaust survivor who seeks to end the human's oppression of mutants, but believes the only way for this to happen is for mutants to rule over the humans, and is willing to use terrorism to accomplish his goals. John Sunlight, featured in Doc Savage pulp magazines, Batman's Ra's al Ghul, and Ozymandias of the comic book series Watchmen have large-scale utopian goals but are willing to resort to extremely destructive measures to implement them.
  • Although not seen as much in the West, the concept of the noble villain (similar to the description above), the difference is that this kind of villains shows a sort of respect for the hero despite hating them. This is seen a lot in anime and tokusatsu. While not exactly an anti hero, they still do villainous deeds, but help the hero to pay back the debt their nemesis has done for either them, another comrade, even kin. However, when the debt is paid, the villain continues with his crimes until the next time. Usually, these types of villains are resolved by either dueling with the hero and being defeated, becoming a hero/anti hero, or dies rescuing the hero to repay their debt to them. In the end, they usually make some kind of final request to hero, in which the hero accomplish after the individual perishes. This is the case where both hero and villain can relate to each other as they both experienced the same life, but chosen different paths. Storm Shadow is probably the best known Western noble villain.
  • A few supervillains, such as Galactus personify forces of nature and cannot be judged by simple standards of morality.

In the Modern Age of Comic Books, heroes and villains have generally become less morally absolute. While many superheroes were portrayed as psychologically complex and morally fallible anti-heroes, villains also became more multifaceted. Psychological impulses and personal tragedy were often explored as motivations behind their behavior. During this time, many villains were “redeemed” and, either permanently or provisionally, become anti-heroes. Examples include Magneto, Elektra, Venom, Sandman, Catwoman, Emma Frost, Juggernaut and Mystique

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Supervillains as Foils

Image:Xmen164.jpg Many supervillains are portrayed as an inversion of their foe. For example, Wolverine constantly tries to contain his animalistic urges, while Sabretooth fully embraces his. Batman is a humorless character with a foreboding appearance, but who is dedicated to good. The Joker, on the other hand, is a comical character with a colorful appearance, who is actually evil. The Incredible Hulk is the raging, reckless alter ego of a brilliant scientist while The Leader is the intelligent, conniving alter ego of a person of average intellect and both were transformed by gamma radiation. And, another example would be Spider-Man and Venom. Peter Parker and Eddie Brock both worked for the Daily Bugle, both transformed into superhuman beings (Parker by spider bite and Brock by alien symbiote), and both have almost equal abilities.

Occasionally, this contrast is more direct. Bizarro is an alternate reality version of Superman from a “Bizaro World” in which everything is an inversion of its DC Universe counterpart (In the current DC Comics continuity, however, he is a flawed clone of Superman.) Like Captain Marvel, Black Adam was once a protégé of the wizard Shazam, but used his powers for evil and has returned to challenge Marvel, wearing a costume that parodies his.

These contrasts help build-up the mythic grandeur of superhero and villain relationships and allow the villain to serve as a foil for the hero.

In an age of frequent comic-book crossovers, heroes occasionally appear as supervillains in one another's books. Many of the classic superheroes have elaborate codes of honor under which they swear off firearms, seldom/never kill, work under government supervision, and generally behave in a kid-friendly and wholesome manner. Newer, more transgressive heroes such as Hulk and Punisher can easily fill the role of a supervillain under such "ground rules."

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Origins

By most definitions, the first supervillain was Professor Moriarty, the arch enemy of Arthur Conan Doyle’s detective Sherlock Holmes, introduced in 1891. Dr. Fu Manchu, the antagonist of several popular novels of Sax Rohmer, is credited with popularizing many of the typical characteristics of the modern supervillain, including his sadistic personality, his desire for world domination, and his use of sinister lairs and themed crimes and henchmen. Rohmer's work had a strong influence on the Ian Fleming, whose James Bond novels and their film adaptations further popularized the image of the supervillain in popular culture.

The first supervillain who wore a bizarre costume was The Lightning, from the 1938 film Fighting Devil Dogs, which preceded the first superhero, Superman.

The first supervillain to regularly battle a Superhero was Lex Luthor, who first appeared in Action Comics #23 (1940).

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Well-known supervillains

Image:Vadertantive.jpg Image:Greengoblindodson.png Image:Magneto.png

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Well-known parodies of supervillains

Because the supervillain is such a common but distinct character type in modern fiction, several parodies have been created. Some of the best-known include:

  • Mr. Burns, crotchety power plant owner on The Simpsons, takes on the role of supervillain in various episodes, as when he builds a device to block out the sun which causes Waylon Smithers to remark: "He's gone from regular villainy to cartoonish super-villainy!" At least one episode featured a shot of Mr. Burns with the Darth Vader theme playing. Mr Burns also bears a likeness of the Evil Emperor Palpatine, the ultimate evil in the Star Wars saga.
  • Stewie Griffin, diabolically ingenious, talking baby of the TV series Family Guy. In earlier episodes attempted to control the weather to rid the world of broccoli, and his biggest aspiration is to complete his matricidal efforts (namely by killing his mother, Lois). Latter episodes have portrayed him as merely inconsiderate, prematurely grumpy and possibly gay.

Image:Dr Evil.jpg

  • Kim Jong Il, A short, fat puppet in Team America: World Police. He sang about being "ronery" and tried to create chaos all over the world.
  • Dr. Evil, bubbling criminal mastermind and adversary of Austin Powers in a series of spy film spoofs.
  • The Brain, from the cartoon series Animaniacs and one of the titular stars of the spin-off show, Pinky and the Brain, is a diminutive lab mouse bent on global conquest.
  • Syndrome, hyperactive mad scientist and superhero-wannabe from the computer animated film The Incredibles, and now arch-enemy of the superhero family of the same name. The Underminer and Bomb Voyage, from the same film, parody the popular "themed" supervillains. A fourth villain, Baron von Ruthless is mentioned. In the DVD Bonus Features, it is revealed that there was another villain to be the primary enemy of the Incredible Family, a man named Xerek. Xerek, however, was bested in popularity among the creators by Syndrome, who took the role.
  • Template:Rvbchar, the main villain and common adversary of both sides in the second and third seasons of the machinima series Red vs Blue, is an over-the-top supervillain caricature. He frequently uses clichés and ridiculous dialogue such as "You foolish fools will never defeat me! You're far too busy being foolish!", or "Prepare for an oblivion, for which there is no preparation!", usually accompianied by extreme close-ups of his helmet visor, and followed by evil laughter.
  • Professor Chaos, the recurring alter ego of Butters, a fourth grader on the animated series South Park, seeks to spread fear and chaos as revenge upon the world that has forsaken him (made him socially unpopular), but has a problem with scale. Exploits include switching people's soup at a restaurant, attempting to destroy the ozone layer by spraying regular aerosol cans and flooding the planet by leaving the backyard hose on.
  • Dark Helmet, and the Spaceballs. A parody of Darth Vader with a new and creative twist, Dark Helmet would be a believable supervillain if it weren't for the fact that he is so ridiculous and comical.
  • Casanova Frankenstein is the villain in the 1999 movie Mystery Men. He employed several gangs of themed henchmen including the "Disco Boys." His goal was to destroy Champion City with a doomsday machine.
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External links

ja:怪人 fi:Superroisto sv:Superskurk

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