Eddie Van Halen
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Edward Lodewijk Van Halen, (born January 26, 1955 in Nijmegen, Netherlands) is a virtuoso guitarist, classically-trained pianist, and founding member of the hard rock band Van Halen.
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Childhood
The Dutch Roman Catholic Van Halen family moved to Pasadena, California from Holland in 1962. Eddie Van Halen immediately started classical piano training and won talent competitions as a child (although during a radio interview he said that he cannot read music). Eddie claims that one of the first things his parents did upon arriving in America was to seek out a piano teacher for him and his brother, Van Halen drummer Alex Van Halen.
Initially, Alex began playing the guitar while Eddie studied drums. According to Eddie, while he was delivering newspapers to pay for his drum kit, Alex would practice on them. It was when Eddie heard Alex's mastery of the Surfaris drum solo in the song "Wipe Out" that he decided to switch and begin learning how to play the electric guitar.
Eddie was around age twelve when he started playing guitar. He was so committed to the instrument that he played it all day, every day. Sometimes, he would even skip school to stay at home and practice. By 14, he had learned almost all of Eric Clapton's solos in the band Cream "note for note", though in other interviews he claims that in fact he could never learn to play the solos precisely and would therefore modify them to suit his styleTemplate:Citation needed.
In an April 1996 interview with Guitar World, when asked about how he went from playing his first open G chord to playing "Eruption", Eddie replied:
- "Practice. I used to sit on the edge of my bed with a six-pack of Schlitz Malt talls. My brother would go out at 7 P.M. to party and get laid, and when he'd come back at 3 A.M., I would still be sitting in the same place, playing guitar. I did that for years — I still do that."<ref name="guitarworld96">http://www.guitarworld.com/allaccess/interviews/1996-04-corganvh.html</ref>
His main influence was Eric Clapton. More recently he has also acknowledged the influence of fusion guitarist Allan Holdsworth, of whom he has said: "He's the best in my book."Template:Citation needed
Formation of Van Halen
In the burgeoning Los Angeles rock scene of the mid-1970s, Van Halen's band was called Mammoth. After finding out that this name was taken, vocalist David Lee Roth suggested calling the band Van Halen after the guitarist and drummer.
Another name that was used after Mammoth and before Van Halen was Rat Salad (taken from the title of a Black Sabbath instrumental off of their Paranoid album). KISS bassist Gene Simmons produced a Rat Salad demo tape, but Simmons' KISS commitments — as well as that band's growing internal problems — led Simmons to regretfully sever his professional ties with Van Halen when Warner Brothers became interested in the bandTemplate:Citation needed.
Innovation
Van Halen's self-titled debut album was released on February 10, 1978 and became recognized as a ground-breaking hard rock masterpiece almost immediately Template:Citation needed.
Sound and technique
Edward Van Halen's approach to the guitar involved several distinctive components. One new aspect of his playing has been his guitar tone, the "brown sound." Van Halen achieved his distinctive tone by using a stock 100-watt Marshall amp, a Variac to lower the voltage of the amp to get high gain distortion at lower volumes, and a "Frankenstrat" guitar Van Halen constructed using a vintage Gibson humbucker pickup rewound by Seymour Duncan.<ref name="legendarytones">http://www.legendarytones.com/brown_sound.htm</ref> His innovative two-handed tapping techniques, use of harmonics, speed, melodicism, and rhythmic sensibility influenced an entire generation of guitarists.
In support of his two-handed tapping technique, Van Halen also holds a patent for a flip-out support device which attaches to the rear of the electric guitar. This device enables the user to play the guitar in a manner similar to the piano by orienting the face of the guitar upward instead of forward.
Before the release of Van Halen's eponymous first album, Eddie would often play solos and his more complex riffs with his back to the live audience. This was done at the advice of his bandmates to prevent any guitar players from stealing his style and technique before the album came out in 1978. Eddie was actually not the first to use this method. Legendary blues guitarist Robert Johnson often performed hidden or at an extreme angle for the same reason.
Tuning
Though rarely discussed, one of the most distinctive aspects of Van Halen's sound was Eddie Van Halen's tuning of the guitar. Before Van Halen, most distorted, metal-oriented rock consciously avoided the use of the major third interval in guitar chords, creating instead the signature power chord of the genre. When run through a distorted amplifier, the rapid beating of the major third on a conventionally tuned guitar is distracting and somewhat dissonant.
Van Halen developed a technique of flatting his B string slightly so that the interval between the open G and B is a perfect, beatless third. This consonant third was almost unheard of in distorted-guitar rock and allowed Van Halen to use major chords in a way that mixed classic hard rock power with "happy" pop. The effect is pronounced on songs such as "Runnin' With the Devil", "Unchained", and "Where Have All the Good Times Gone?".
With the B string flatted the correct amount, chords in some positions on the guitar have perfect thirds, but in other positions the flat B string creates out of tune intervals. As Eddie once remarked to Guitar Player, "A guitar is just theoretically built wrong. Each string is an interval of fourths, and then the B string is off. Theoretically, that's not right. If you tune an open E chord in the first position and it's perfectly in tune, and then you hit a barre chord an octave higher, it's out of tune. The B string is always a motherfucker to keep in tune all the time! So I have to retune for certain songs. And when I use the Floyd onstage, I have to unclamp it and do it real quick. But with a standard-vibrato guitar, I can tune it while I'm playing."<ref name="guitarplayervhl">http://www.vhlinks.com/pages/interviews/evh/gp122979.php</ref>
Use of Floyd Rose system
A crucial component of Van Halen's personal style is his use of the fulcrum vibrato for electric guitars. Developed in the mid-20th century, early versions of this device allowed the guitarist to impart a vibrato (slight, wavering pitch change) to a chord or single string via movement of the bar with the picking hand. Pressure on the bar, attached to the guitar's bridge, slackened the strings and momentarily lowered the pitch.
Early versions of this device were prone to tuning problems, and were generally finicky, unstable, and limited in their pitch-changing capability. Leo Fender's development of the fulcrum tremolo for his Stratocaster line of guitars in the 1950s imparted greater tuning stability and range, and this was exploited by guitarists in the Surf music genre, as well as by other artists such as Jimi Hendrix, who could not overcome the Fender tremolo's shortcomings.
The Fender tremolo unit still suffered from a lack of tuning stability that would not be addressed until the late 1970s by Floyd Rose. The key to Rose's innovation was the introduction of a locking nut on the guitar's neck, which is why these new systems are referred to as "locking nut tremolos."
This new device allowed Van Halen far greater latitude in tremolo use than was possible with previous designs, and without going out of tune in the process (or, rather, as quickly; locking trems still went out of tune, but not nearly so quickly).
Consequently, Van Halen was able to build on the foundation left by earlier tremolo fans (e.g. Jimi Hendrix). His music incorporated a vast array of rarely-heard guitar sounds often described as shrieks, growls, dive-bombs, chirps, squeals and grunts. Earlier players could approach these tones, but only at the cost of going out of tune almost immediately.
Eddie Van Halen went on to collaborate with Floyd Rose on improvements to Rose's device. Among Van Halen's suggestions were the supplemental tuner knobs on the vibrato unit itself which allow the player to fine-tune the pitch of the guitar after the locking nut was screwed down. These fine-tuners are now a feature on virtually all such tremolo systems.
Though Rose incorporated many of Van Halen's suggestions, he was slow to give credit for the guitarist's technical contributions, ultimately resulting in a degree of animosity between the two former collaborators.
More recently, Van Halen designed and patented the D-Tuna device, which enables a player to quickly detune the lowest string on a Floyd Rose vibrato-equipped guitar down a full step, extending the effective tonal range of the guitar.
Ever practical, Van Halen plays with a non-floating tremolo configuration that allows lowering of pitch only; he shuns the full floating configuration due to its inherent lack of tuning stability. The floating tremolo configuration is particularly susceptible to tuning degradation when a broken string sets the unit into imbalance on its pivot point; typically, the tuning will go sharp from the loss of tension previously supplied by the broken string.
To counter this, Van Halen's tremolo unit is configured (by slightly over-tensioning the return springs) to rest on the surface of the guitar when not in use. This serves as a stopping point for the fulcrum rotation, thereby compensating for any loss of tension due to a broken string.
Van Halen's agility with guitar vibrato systems is a distinctive aspect of his playing style, and is also a large part of his influence and legacy.
Expansion
Later Van Halen albums such as Fair Warning and Diver Down displayed Eddie's prowess on keyboards, which were featured most prominently on the landmark album 1984, and in particular, Edward's keyboard work on "Jump", the group's only song to reach the top of the Billboard singles chart.
Edward Van Halen also played a role in getting R&B videos played on MTV. He was called in by Quincy Jones to play guitar on the song Beat It, from Michael Jackson's famous 1982 album, "Thriller", and his solo was recorded in one take.
The combination of Jackson's pop sensibilities, Quincy Jones' production and Van Halen's guitar work melded several genres of music, and helped each to find new fans. Concurrently, Van Halen's song Jump was played in discos, inner-city R&B clubs, and on rock radio.
Van Halen did soundtrack work for movies such as Back To The Future, Bill & Ted's Excellent Adventure, Twister, Wild Life, and Lethal Weapon 3, and has recorded with Brian May, Jeff Porcaro, Roger Waters, and Thomas Dolby. He built his trademark red and white striped "Frankenstrat" guitar (originally black and white) by hand, using an imperfect body and a used neck picked up at a discount.
Personality conflicts within Van Halen
Though they worked together successfully, Eddie Van Halen and original vocalist David Lee Roth never got on well on a personal level, with Van Halen's reclusive virtuosity-obsessed persona clashing with Roth's good-timin' frontman shtick. Roth often flubbed the words to VH songs live (or did not bother to sing them at all), which led to further clashes with Eddie.
According to Gene Simmons' book Kiss And Make Up, Van Halen approached Simmons in 1982 about possibly joining KISS as a replacement for Ace Frehley, who was suffering from severe substance abuse problems. Eddie did so because his personality conflicts with Roth were worsening, and Eddie wanted out.
Simmons persuaded Eddie to return to Van Halen, and KISS went on to have several troubled recordings and tours with Vinnie Vincent (Vincent Cusano), who had played on the KISS Creatures Of The Night album.
Roth's 1985 solo EP, Crazy From The Heat, was not well-received by the rest of the band (though it produced a minor hit in his cover of the Beach Boys' classic "California Girls") and led to his acrimonious departure from Van Halen later that year; Roth stating in Kerrang! magazine in early 1986 that "Eddie Van Halen isn't happy unless he's unhappy."
The band recruited well-known rocker Sammy Hagar, with whom they recorded several multi-platinum albums throughout the late '80s and early '90s. Though the material from Hagar's period in the band wasn't as raw and edgy as earlier efforts, it was accessible to a larger audience, and each studio album during his tenure peaked at number one on the Billboard Charts.
However, personality conflicts between Van Halen and Hagar led to Hagar's departure in 1996. At the time, Van Halen stated that his sobriety made him realize how poor Hagar's work ethic was, and that both he and Roth had "LSD" ("Lead Singer Disease"). Following the band's short-lived tenure with vocalist Gary Cherone, the band briefly reunited with Hagar in 2004.
This did not last, with Hagar saying he would never work with Van Halen again.
As of early 2006, Van Halen remain inactive and without a lead singer.
Later years
The 1990s and onward proved to be a rough time for Van Halen. He battled alcoholism, lost his mother to cancer, was treated himself twice for tongue/mouth cancer, had hip replacement surgery, and separated from Valerie Bertinelli (whom he married in 1981), as his band split with their third lead singer, Gary Cherone.
In 2004, after years of not performing, Van Halen returned on the stage with the Hagar fronted line-up. The tour ended with a rift escalating between Eddie Van Halen and Sammy Hagar, exploding on the last date of the tour, when Van Halen violently smashed his guitar leaving the stage. The tour also made clear that Van Halen had fallen into the trap of alcoholism once again, and he's been reported as performing in an alcoholic stupor by bassist Michael Anthony.
Van Halen has one son, Wolfgang William Van Halen, born March 16, 1991. He was named after Wolfgang Amadeus Mozart, and nicknamed "Wolfie". Wolfie has played at some of his father's concerts on their struggling 2004 reunion tour with Sammy Hagar.
Eddie named his line of signature Peavey Guitars after his son, and between 1993 and 2004 was also sponsored by Peavey Electronics to use their 5150 Amplifiers, which he had a part in designing.
In 2004 the Peavey company parted ways with Van Halen, as Eddie launched an on-line sale of homebuilt and assembled Charvel guitars, sold by the name of the "EVH Art Series Guitars", while he was still contractually obliged to Peavey.
The guitars sold for big numbers on eBay, and were essentially replicas of his famous Charvel "Frankenstrat" guitars, played by Van Halen mainly during the David Lee Roth era of the band.
In 2005, Eddie and Wolfie painted a 10-foot-tall Fender Stratocaster guitar to be auctioned off on February 4, 2006 at the Dodge Theatre in Phoenix, Arizona, along with other guitars painted by celebrities. The proceeds of the auction will benefit Big Brothers Big Sisters of Central Arizona and the Rock & Roll Hall of Fame.
On December 5, 2005, Valerie Bertinelli filed for divorce in Los Angeles Superior Court. The Complaint for Divorce revealed that Valerie Bertinelli and Van Halen separated on October 15, 2001.
Since the 2004 tour, Eddie Van Halen has disappeared from the public eye, until a recent apparition at the 14th annual Elton John Academy Awards viewing dinner and after-party in West Hollywood, California, held on March 5, 2006.
Sources
References
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External links
- Official Van Halen Website
- Van Halen News Desk (unofficial news of present and former Van Halen band members)
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