At the Drive-In

From Free net encyclopedia

Template:Infobox band At the Drive-In (ATDI) were an indie/post-hardcore/alternative rock band from El Paso, Texas from 1993 until 2001. The band is named after a lyric from the song "Talk Dirty To Me" by Poison.

1 History
2 Breakup
3 De Facto
4 Group members
5 Discography
6 See also
7 External links

[edit]

History

Influenced primarily by the likes of Fugazi and Drive Like Jehu, as well as their native Texas hardcore scene, At The Drive-in crafted epic, post-hardcore and sometimes almost stadium rock-like songs with very complex time signatures and extremely poetic, cryptic lyrics. ATDI's first studio recording was Hell Paso (Western Breed), an EP issued in 1994. They quickly developed a following as intense in loyalty as the band was on stage. At the Drive-In's reputation for super-high-energy live performances outlived the band's career. It was this reputation, the release of perhaps their best-known album, Relationship of Command (2000) and their small hit radio single "One Armed Scissor" (which had a music video in circulation on MTV) that contributed largely to the very positive attention they received in the rock press towards the end of their career. Spin Magazine named Relationship of Command one of their top 10 albums of that year. The band also appeared on Late Night With Conan O'Brien and The Late Show With David Letterman performing their single One Armed Scissor on national television. According to some sources, At the Drive-In struggled to recreate their intense live experience in the studio. At one point they tried to circumvent this problem by recording their second CD, In/Casino/Out (1998), as a live studio album.In contrast to the bands first album acrobatic tenament which although undoubtedly a hardcore punk album lacked the energy seen in later works

Not only notoriously energetic and wild at shows, At the Drive-In were noted by the music press for the afros of Cedric Bixler Zavala and Omar Rodriguez-Lopez. The hairstyle became synonymous with the pair's image. However, the two have been very vocal about image, Omar said in one interview "I hate photoshoots, I get so bored. The way I look has nothing to do with the music I make, so who cares if I have big glasses and an afro? People should just put on our cd."

[edit]

Breakup

In 2001, at the peak of their popularity and following a world tour, At the Drive-In broke up, initially referring to the split as an "indefinite hiatus."

Cedric Bixler took full responsibility for the breakup for the band, saying repeatedly in interviews that he felt almost as if ATDI were holding him back, and that he didn't want his music to be confined to 'punk' or 'emo' or 'hardcore' - that it should encompass many different genres and be even more progressive, alternative, and "against-the-grain". Bixler and Rodriguez-Lopez had stated that they wanted their next album to sound like Pink Floyd's Piper at the Gates of Dawn, while the other members of the band were intent on progressing in a more typical rock direction. Following the break-up of ATDI, Omar and Cedric would start The Mars Volta. This project was a departure from their previous work, as it pursued the prog-rock sound that they had been interested in. Meanwhile, the other members of ATDI - Jim Ward, Paul Hinojos, and Tony Hajjar - would continue on to form the band Sparta. Hinojos has since left Sparta to join Bixler and Rodriguez in The Mars Volta as the Sound Manipulator (Keeley Davis has since become the new guitarist for Sparta).

[edit]

De Facto

De Facto (formerly De Facto Carde Dub) has been the alias for Cedric Bixler and Omar Rodriguez's reggae/dub side project since the early days of At The Drive-In, back in El Paso, Texas (they have since relocated to Long Beach, CA). The group's ten-song full-length debut, Megaton Shotblast, appeared on GSL in late 2001.

They influenced many bands such as Biffy Clyro who have a similar vein to their songs, post-hardcore and sometimes almost stadium rock-like songs with very complex time signatures and extremely poetic, cryptic lyrics.

[edit]