Henry Luce
From Free net encyclopedia
Image:LuceH.jpg Henry Robinson Luce (pronounced like "loose") (April 3, 1898 - February 28, 1967) was an influential American publisher.
Luce was born in Dengzhou, China, the son of a Presbyterian missionary. and educated in various boarding schools in China and England. At 10, he was sent to a British boarding school at Chefoo on the China coast and at 14, he traveled to Europe alone. He first arrived in the U.S. at the age of 15 to attend the Hotchkiss School in Connecticut. Luce split his time between waiting tables after school and editing for the Hotchkiss Literary Monthly, holding the position of editor-in-chief. He later graduated from Yale University in 1920, where he was a member of Skull and Bones.
Luce first met Briton Hadden at Hotchkiss while the latter was editor-in-chief of the school newspaper and Luce worked as an assistant managing editor. The two continued to work together at Yale, where Hadden was chairman and Luce was managing editor of the Yale Daily News.
Luce recalled his relationship with Hadden: "Somehow, despite the greatest differences in temperaments and even in interests, somehow we had to work together. We were an organization. At the center of our lives - our job, our function - at that point everything we had belonged to each other."
After being voted “most brilliant” of his class at Yale, he parted ways with Hadden to embark on history studies at Oxford University for a year and worked as a cub reporter for the Chicago Daily News after his return. In December 1921, Luce joined Hadden at The Baltimore News.
Nightly discussions of the concept of a newsmagazine led the two, both age 23, to quit their jobs in 1922. Having raised $86,000 of a $100,000 goal, the first issue of TIME was published on March 3, 1923. Luce served as business manager while Hadden was editor-in-chief. Luce and Hadden annually alternated year-to-year the titles of president and secretary-treasurer. Upon Hadden's sudden death in 1929, Luce assumed Hadden's position.
Luce launched the business magazine Fortune in February of 1930 and founded the pictorial Life magazine in 1936, and launched House & Home in 1952 and Sports Illustrated in 1954. He also produced The March of Time for radio and cinema.
During his life, Luce supported many programs like Save the Children Federation, the Metropolitan Museum of Art and United Service to China, Inc.
Luce, who remained editor-in-chief of all his publications until 1964, was an influential member of the Republican Party. Holding anti-communist sentiments, he was an instrumental figure behind the so-called "China Lobby," and played a large role in steering American foreign policy and popular sentiment in favor of Nationalist leader Chiang Kai-shek and his wife Soong Mei-ling.
Luce had two children - Peter Paul and Henry Luce III - from his first marriage. He married his second wife, Clare Boothe Luce in 1935. He died in Phoenix, Arizona in 1967.
According to the Henry Luce foundation, Henry Luce III, died September 8, 2005, age 80, on Fishers Island, New York, of cardiac arrest.
Henry Luce was played by John Dehner in the 1983 film The Right Stuff.
Henry Luce's Lovers
According to a book by Ralph G. Martin, entitled "Henry & Clare: An intimate portrait of the Luces," Henry had extended relationships with Jean Dalrymple, a Broadway producer and theatrical agent and Mary Bancroft, who, among other accomplishments, had been a wartime spy master for the OSS. According to Martin, Clare also had many lovers. Henry's liaison that most seriously threatened his marriage to Clare involved Lady Jeanne Campbell, granddaughter of the British press tycoon Lord Beaverbrook. As a favor to the Beaver, TIME in 1956 found a minor job in its picture department for Lady Jeanne. Luce became so openly smitten with this cheerful redhead, 31 years his junior, that rumors of the affair appeared in gossip columns. Lady Jeanne eventually married novelist Norman Mailer.
There are grounds for wondering how accurate Martin's writing really is. A TIME article in the August 26, 1991 issue, states, "Henry & Clare is rife with errors, undocuments innuendo, non sequitors and contradictions. Martins shows little understanding of how the Luce orginization worked; the portraits of his principals are caricature-crude, especially in the case of Clare."