Horace

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For other people named Horace, see Horace (disambiguation).

Image:Quintus Horatius Flaccus.jpg Quintus Horatius Flaccus, (December 8, 65 BC - November 27, 8 BC), known in the English-speaking world as Horace, was the leading lyric poet in Latin.

Contents

Life

Born at Venosa (Lucania), Horace was the son of a freedman, but himself born free. His father, though poor, spent considerable money on Horace's education, accompanying him first to Rome for his primary education, and then to Athens to study Greek and philosophy. Horace never took for granted his father's care and sacrifice, and his relationship with his father remains one of the most endearing personal episodes to survive from the classical period. In his own words (note that some of the beauty is lost in translation):

If my character is flawed by a few minor faults, but is otherwise decent and moral, if you can point out only a few scattered blemishes on an otherwise immaculate surface, if no one can accuse me of greed, or of pruriance, or of profligacy, if I live a virtuous life, free of defilement (pardon, for a moment, my self-praise), and if I am to my friends a good friend, my father deserves all the credit... As it is now, he deserves from me unstinting gratitude and praise. I could never be ashamed of such a father, nor do I feel any need, as many people do, to apologize for being a freedman's son. Satires 1.6.65-92

After the assassination of Julius Caesar, Horace joined the army, serving under the generalship of Brutus. He was in the Battle of Philippi, and saved himself by fleeing. When an amnesty was declared for those who had fought against the victorious Augustus, he returned to Italy, only to find his father dead, and his estate confiscated. Horace was reduced to poverty. He was, however, able to purchase a clerkship in the quaestor's office, which allowed him to get by and practice his poetic art.

Horace was a member of a literary circle that included Virgil and Lucius Varius Rufus; they introduced him to Maecenas, friend and confidant of Augustus. Maecenas became his patron and close friend, and presented Horace with an estate near Tibur, contemporary Tivoli.

Works

Horace is generally considered by classicists to be, along with Virgil, the greatest of the Latin poets.

He wrote many Latin phrases that remain in use, in Latin or in translation, including carpe diem, "seize the day,", Dulce et decorum est pro patria mori, and aurea mediocritas, the "golden mean."

His works (like those of all but the earliest Latin poets) are written in Greek metres, from the hexameter, which was relatively easy to adapt to Latin, to the more complex measures used in the Odes, like alcaics and sapphics, which were sometimes a difficult fit for Latin structure and syntax. No Latin writer handles these metres with such grace, precision and lightness of touch, although Catullus comes close.

Chronologically, they are:

Some highlights from his surviving work include:

Odes (or Carmina)

4 books

Epodes

1 book

Satires

2 books With the Epistles, these are his most personal works, and perhaps the most accessible to contemporary readers unable to appreciate the verbal magic of the Odes.

Letters or Epistles

2 books With the Satires, these are his most personal works, and perhaps the most accessible to contemporary readers unable to appreciate the verbal magic of the Odes.

One of the Epistles is often referred to as a separate work in itself, the Ars Poetica. In this work, Horace forwards a theory of poetry. His most important tenets are that poetry must be carefully and skillfully worked out on the semantic and formal, and that poetry should be wholesome as well as pleasant. This latter issue is often referred to as the dulce et utile, which is Latin for the sweet and useful. (This work was first translated into English by Queen Elizabeth I).

The Carmen Saeculare

In later culture

English translators

  • Perhaps the finest English translator of Horace was John Dryden, who successfully adapted most of the Odes into verse for readers of his own age. These translations are favored by many scholars despite some textual variations. Others favour unrhymed translations.
  • Ars Poetica was first translated into English by no less than Queen Elizabeth I.

External links

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