Jack Kerouac

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Jack Kerouac (March 12, 1922 – October 21, 1969) was an American novelist, writer, poet, artist, and part of the Beat Generation. While enjoying popular but little critical success during his own lifetime, Kerouac is now considered one of America's most important authors. Kerouac's spontaneous, confessional language style inspired other writers, including Tom Robbins, Richard Brautigan, Hunter S. Thompson, Ken Kesey, and Bob Dylan.

Most of his life was spent in the vast landscapes of America or living with his mother, with whom he spent most of his life. Faced with a changing country, Kerouac sought to find his place, eventually bringing him to reject the values of the fifties. His writing often reflects a desire to break free from society's mold and to find meaning in life. This search may have led him to experiment with drugs (he used psilocybin, marijuana, and benzedrine, among others), to study spiritual teachings such as Buddhism, and to embark on trips around the world. His books are sometimes credited as the catalyst for the 1960s counterculture. Kerouac's best known works are On the Road and The Dharma Bums.

1 Life
2 Career
3 Trivia
4 Influence
5 Quotes
6 Bibliography
- 6.1 Prose
- 6.2 Poetry, letters, audio recordings and other writings
7 Further reading
8 See also
9 External links

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Life

Kerouac was born Jean-Louis Lebris de Kerouac, in Lowell, Massachusetts, to a family of French-Americans. His parents, Leo-Alcide Kerouac and Gabrielle-Ange Lévesque, were natives of the province of Quebec in Canada. Like many other Quebecers of their generation, the Lévesques and Kerouacs were part of the Quebec emigration to New England to find employment. Jack didn't start to learn English until the age of six. At home, he and his family spoke Quebec French. At an early age, he was profoundly marked by the death of his elder brother Gérard, later prompting him to write the book Visions of Gerard.

Later, his athletic prowess led him to become a star on his local football team, and this achievement earned him scholarships to Boston College and Columbia University in New York. He entered Columbia University after spending the scholarship's required year at Horace Mann School. He left during his sophomore year because the coach of the football team kept him on the bench after an injury in his freshman year. After this, he went to live with an old girlfriend, Edie Parker, in New York. It was in New York that Kerouac met the people with whom he was to journey around the world, and the subjects of many of his novels: the so-called Beat Generation, which included people such as Allen Ginsberg, Neal Cassady and William S. Burroughs. Kerouac broke his leg playing football, and he argued constantly with his coach; his football scholarship did not pan out. He joined the Merchant Marine in 1942. In 1943, he joined the United States Navy, but was discharged during World War II on psychiatric grounds---he was of "indifferent disposition."

During Kerouac's time at Columbia University, Burroughs and Kerouac got into trouble with the law for failing to report a murder; this incident formed the basis of a mystery novel the two collaborated on in 1945 entitled And the Hippos Were Boiled in Their Tanks (the novel was never published, although an excerpt from the manuscript would be included in the Burroughs compilation Word Virus). In between his sea voyages, Kerouac stayed in New York with friends from Fordham University in The Bronx. He started writing his first novel, called The Town and the City. It was published in 1950 under the name "John Kerouac" and earned him some respect as a writer. Unlike Kerouac's later work which establish his Beat style, "The Town and the City" is heavily influenced by Kerouac's reading of Thomas Wolfe.

Kerouac wrote constantly, but did not publish his next novel, On the Road, until 1957. It was published by Viking Press. Narrated from the point of view of the character Sal Paradise, this mostly autobiographical work of fiction described his roadtrip adventures across the United States and into Mexico with Neal Cassady, the model for Dean Moriarty in the book. In a way, the story is an offspring of Mark Twain's classic The Adventures of Huckleberry Finn, though in On the Road the narrator (Sal Paradise) is twice Huck's age, and Kerouac's story is set in the America of about a hundred years after. The novel is often described as the defining work of the post-World War II jazz-, poetry-, and drug-affected Beat Generation; it made Kerouac "the king of the beat generation." Using Benzedrine and coffee, Kerouac wrote the entire novel in only three weeks in an extended session of spontaneous prose. His original writing style was heavily influenced by Jazz (especially Bebop), and later Buddhism.

His friendship with Allen Ginsberg, William Burroughs and Gregory Corso, among others, defined a generation. Kerouac also wrote and narrated a "Beat" movie titled Pull My Daisy in 1958. In 1954, Kerouac discovered Dwight Goddard's A Buddhist Bible at the San Jose Library, which then marked the beginning of his studies of Buddhism and his own personal quest for enlightenment. He chronicled parts of this, as well as some of his adventures with Gary Snyder and other San Francisco-area poets, in the book The Dharma Bums, set in California and published in 1958. The Dharma Bums, which some have called the sequel to On the Road, was written in Orlando, Florida during late 1957 through early 1958. Kerouac developed something of a friendship with the scholar Alan Watts (cryptically named Arthur Wayne in Kerouac's novel Big Sur, and Alex Aums in Desolation Angels). He also met and had discussions with the famous Japanese Zen Buddhist authority D.T. Suzuki. Image:Jack Kerouac House - Winter Park Florida.jpg In July 1957, Kerouac moved to a small house on Clouser Ave. in the College Park section of Orlando, Florida to await the release of On the Road. A few weeks later, the review appears in the New York Times proclaiming Kerouac the voice of a new generation. Kerouac was hailed as a major American writer, and reluctantly as the voice of the Beat Generation. His fame would come as an unmanageable surge that would ultimately be his undoing.

John Antonelli's 1985 documentary Kerouac, the Movie starts and ends with footage of Kerouac reading from 'On the Road' and 'Visions of Cody' on the Tonight Show with Steve Allen in 1957. To see him in person is a revelation. He looks and sounds more like James Dean than you'd think; his intelligence is evident in his face, and his shyness is as well. "Are you nervous?" Steve Allen asks him, and the way he says "Naw" makes it clear that he is much more nervous than he wants to be.

At some point in his life Kerouac wrote Wake Up, a biography of Siddhartha Gautama (better known as the Buddha) that remains unpublished. Shortly before his death Kerouac told interviewer Joseph Lelyveld of the New York Times, "I'm not a beatnik. I'm a Catholic." After pointing to a painting of Pope Paul VI, Kerouac noted, "You know who painted that? Me."[1]

He died on October 21, 1969 at St. Anthony's Hospital in St. Petersburg, Florida, one day after being rushed, in severe abdominal pain, from his St. Petersburg home by ambulance. His death, at the age of 47, resulted from an internal hemorrhage caused by cirrhosis of the liver, the unfortunate result of a life of heavy drinking. He was living at the time with his third wife Stella, and his mother Gabrielle. He is buried in his home town of Lowell.

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Career

Kerouac realized his desire to be a writer when he was in his teens, probably influenced by his father, a linotypist with a formidable command of words. His unique style of writing wouldn't emerge until after his college years, after he wrote his first novel, "The Town and the City". He would often write while under the influence of some substance, usually Benzedrine strips he would purge from over-the-counter inhalers, marijuana, and alcohol. He claimed that they---particularly "Bennies"---enhanced his writing by giving him the tremendous energy that this kind of writing required. Kerouac is considered by some as the "King of the Beatniks" as well as the "Father of the Hippies". Kerouac publicly disavowed the Beatniks, who didn't identify with his blue-collar roots, and disliked the Hippies, largely because his politics shifted to the right in the 1960s and he supported the Vietnam War. He also accused former associate Allen Ginsberg of "raping" his mind.

Kerouac's method was heavily influenced by the prolific explosion of Jazz, especially the Bebop genre established by Charlie Parker, Dizzy Gillespie, Thelonious Monk, and others. Later, Kerouac would include ideas he developed in his Buddhist studies. He called this style Spontaneous Prose, a literary technique akin to stream of consciousness. Kerouac's motto was "first-thought=best thought", and many of his books exemplified this approach including On the Road, Visions of Cody, Visions of Gerard, Big Sur, and The Subterraneans. The central features of this writing method was the idea of breath (borrowed from Jazz and from Buddhist meditation breathing), improvising words over the inherent structures of mind and language, and not editing a single word. Connected with his idea of breath was the elimination of the period, preferring to use a long, connecting dash instead. As such, the phrases occurring between dashes might resemble improvisational jazz licks. When spoken, the words might take on a certain kind of rhythm, though none of it pre-meditated.

He would go on for hours to friends and strangers about his method, often drunk, which wasn't well received by Ginsberg, who had an acute awareness of the need to sell literature (to publishers) as much as write it; though he'd later be one of its great proponents. It was at about the time that Kerouac wrote The Subterraneans that he was approached by Ginsberg and others to formally explicate exactly how he wrote it, how he did Spontaneous Prose. Among the writings he set down specifically about his Spontaneous Prose method, the most concise would be Belief and Technique for Modern Prose, a list of thirty "essentials."

1. Scribbled secret notebooks, and wild typewritten pages, for your own joy
2. Submissive to everything, open, listening
3. Try never get drunk outside yr [sic] own house
4. Be in love with yr [sic] life
5. Something that you feel will find its own form
6. Be crazy dumbsaint of the mind
7. Blow as deep as you want to blow
8. Write what you want bottomless from bottom of the mind
9. The unspeakable visions of the individual
10. No time for poetry but exactly what is
11. Visionary tics shivering in the chest
12. In tranced fixation dreaming upon object before you
13. Remove literary, grammatical and syntactical inhibition
14. Like Proust be an old teahead of time
15. Telling the true story of the world in interior monolog
16. The jewel center of interest is the eye within the eye
17. Write in recollection and amazement for yourself
18. Work from pithy middle eye out, swimming in language sea
19. Accept loss forever
20. Believe in the holy contour of life
21. Struggle to sketch the flow that already exists intact in mind
22. Dont think of words when you stop but to see picture better
23. Keep track of every day the date emblazoned in yr morning
24. No fear or shame in the dignity of yr experience, language & knowledge
25. Write for the world to read and see yr exact pictures of it
26. Bookmovie is the movie in words, the visual American form
27. In praise of Character in the Bleak inhuman Loneliness
28. Composing wild, undisciplined, pure, coming in from under, crazier the better
29. You're a Genius all the time
30. Writer-Director of Earthly movies Sponsored & Angeled in Heaven

Some believed that at times Kerouac's writing technique did not produce lively or energetic prose. Truman Capote famously said about Kerouac's work, "That's not writing, it's typing."

A DVD entitled "Kerouac: King of the Beats" features several minutes of his appearance on Firing Line, William F. Buckley's television show, during Kerouac's later years when alcoholism had taken control. He is seen often incoherent and very drunk. Books also continue to be published that were written by Kerouac, many unfinished by him. A book of his haikus and dreams also were published, giving interesting insight into how his mind worked. In August 2001, most of his letters, journals, notebooks and manuscripts were sold to the New York Public Library for an undisclosed sum. Presently, Douglas Brinkley has exclusive access to parts of this archive until 2005. The first collection of edited journals, Wind Blown World, was published in 2004.

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Trivia

Kerouac mentions his best friends George "John" Apostolos and Sebastian "Sammy" Sampas, killed during WWII, numerous times throughout his writings.[2]

Apostolos and Sampas were the uncle(John) and cousin(Sammy) of Ted Leonsis [3]

The 1995 collection of Kerouac letters edited by Ann Charters are dedicated to Sebastian “Sammy” Sampas, Kerouac’s boyhood friend, who died in World War II.[4]

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Influence

Related article: List of cultural references to Jack Kerouac.

Kerouac is considered by some as the "King of the Beatniks" as well as the "Father of the Hippies".

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Quotes

"I want to work in revelations, not just spin silly tales for money. I want to fish as deep down as possible into my own subconscious in the belief that once that far down, everyone will understand because they are the same that far down."

— Jack Kerouac

"If you're working with words, it's got to be poetry. I grew up with [the books of Jack] Kerouac. If he hadn't wrote On The Road, the Doors would have never existed. Morrison read On The Road down in Florida, and I read it in Chicago. That sense of freedom, spirituality, and intellectuality in On The Road — that's what I wanted in my own work."

— Ray Manzarek, The Doors' keyboard player

"I read On the Road in maybe 1959. It changed my life like it changed everyone else's."

— Bob Dylan

"Once when Kerouac was high on psychedelics with Timothy Leary, he looked out the window and said, 'Walking on water wasn't built in a day.' Our goal was to save the planet and alter human consciousness. That will take a long time, if it happens at all."

— Allen Ginsberg

"The world that [Kerouac] trembling stepped out into in that decade was a bitter, gray one".

— Michael McClure, San Francisco poet

Kerouac was "locked in the Cold War and the first Asian debacle" in "the gray, chill, militaristic silence, [...] the intellective void [...] the spiritual drabness".

— Michael McClure, San Francisco poet

— more