Monologue

From Free net encyclopedia

A monologue is a speech made by one person speaking his or her thoughts aloud or directly addressing a reader, audience or character.

It is a common feature in drama or film.
The word may also be applied to a poem in the form of the thoughts or speech of a single individual.
Monologue is a common feature of opera when an aria, recitative or other sung section may carry out a function similar to that of spoken monologues in the theatre.
Monologues are often found in twentieth century fiction.
Comic monologues have become a standard element of entertainment routines on stage and television.

1 Soliloquy (monologue in drama)
2 Dramatic monologue
3 Operatic monologue
4 Fictional monologue
5 Comic monologue
6 References
- 6.1 Soliloquies
- 6.2 Dramatic monologues

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Soliloquy (monologue in drama)

In a monologue in a play or film, the speaking actor need not be alone on the stage or scene; however, none of the supporting cast (in theatre or film) speaks.

There are two basic types of monologues in drama:

Exterior monologue: This is where the actor speaks to another person who is not in the performance space or to the audience.

Interior monologue: This is where the actor speaks as if to himself or herself. It is introspective and reveals the inner motives to the audience. This is also a common device in stream of consciousness writings. Frequently in modern theatre, the actor may deliver the monologue in an "aside" (or a sequence of asides).

Where the character delivering the monologue is alone on stage, it may also be described as a soliloquy. Writers such as Shakespeare used the soliloquy to great effect in order to express some of the personal thoughts and emotions of characters without specifically resorting to third-person narration.

It is a dramatic convention that soliloquies and asides cannot be heard or noticed by the other characters, even if they are delivered in their plain view.

A written monologue may contain stage directions for the performer, and might be preceded by information about the monologue's setting. (For example, Samuel Beckett's monologue, Krapp's Last Tape).

The monologue was a significant feature of French classical drama; the monologues of Racine have been highly prized by French actresses, including Rachel and Sarah Bernhardt.

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Dramatic monologue

The dramatic monologue is a poetic form not to be confused with the monologue in drama. It was brought to a high standard by Robert Browning. The form is such wherein the poet writes from a speaker's point of view in the form of an address to a listener who does not respond in the poem. The speaker in the poem generally talks about a subject, but inadvertantly reveals something about their character. It gives the poet an opportunity to present his subject in direct 'conversation' with the reader (e.g. Browning's Porphyria's Lover) or places the reader as a 'character' to whom the monologuist speaks (e.g. the same poet's Mr. Sludge the Medium or My Last Duchess). Such poetry combines the dramatic impact of the stage monologue with the potential of more elaborate and suggestive use of language; on the printed page, where the words can be re-read and pondered, there is the potential to evoke more complex layers of intent and meaning.

The term "monologue" is also applied to a form of popular narrative verse, sometimes comic, often dramatic or sentimental, that was performed in music halls or in domestic entertainments in the late nineteenth and early twentieth century. Famous examples include The Green Eye of the Yellow God and Christmas Day in the Workhouse.

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Operatic monologue

In early opera and opera seria many arias were effectively monologues expressing the character's state of mind - for example, the well-known Ombra mai fu in Handel's opera Xerxes. However the function of such pieces was generally not, as in drama, to further the action or reveal anything new about the characters, but to provide opportunities for the singer to display his or her musical prowess.

With the libretti of Lorenzo da Ponte for Mozart, such arias began to have more dramatic force. The use of monologue by Wagner in his Ring cycle however brought a new concept of operatic monologue - much of the operas consists of extensive monologues by some of the principal characters, accompanied by music which, by the use of leitmotivs, sometimes underlines and sometimes contradicts what is being sung, giving an additional insight into the character's sub-conscious, as well as his (or her) overt motivation or emotion.

This more dramatic use of operatic monologue was adapted by Verdi and his librettist Boito to good effect in Otello and in Falstaff.

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Fictional monologue

Based to some extent on Wagnerian monologue, the interior monologue has become an important feature of much 20th century fiction. The outstanding exemplar is James Joyce, whose novel Ulysses ends with the famous soliloquy of Molly Bloom, and whose Finnegans Wake is apparently one long monologue. Other authors using similar techniques include William Faulkner and Joseph Heller.

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Comic monologue

During the nineteenth and twentieth century a popular feature of variety shows and the music hall in the USA and Britain was the comic monologue. This has evolved into a regular feature of stand-up comedy and television comedy. An opening monologue of a humourous nature is a typical segment of stand up comedy, and may often form a regular feature of television programmes such as The Tonight Show.

Famous comic monologuists include Jack Parr, Billy Connolly, Bill Cosby, Eric Bogosian, Lord Buckley, Spalding Gray, Garrison Keillor, Johnny Carson, David Letterman, Jay Leno, Joyce Grenfell, Stanley Holloway,George Robert Sims, John Leguizamo, and Conan O'Brien.