Stereolab

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Stereolab are a UK-based band whose style, mixing 1950s-1960s pop and lounge music with the "motorik" beat of krautrock, was one of the first to which the term "post-rock" was applied. They are noted for the use of vintage keyboard instruments like Moog synthesizers and Vox and Farfisa organs. Stereolab are also notable for founding their own record label, Duophonic Records, with a grant from UK charity The Prince's Trust. The band are often referred to as "The Groop" by their fans (and in the title of their song "The Groop Play Chord X" on the album Space Age Batchelor Pad Music).

They were founded in 1990 by songwriters Tim Gane (guitar, keyboards), formerly of the band McCarthy, and Lætitia Sadier (sometimes credited as Seaya Sadier; vocals, keyboards, trombone, guitar), who is from France and sings in both English and French.

Over the years, Gane and Sadier have enlisted a large number of other musicians to accompany them on stage and on record. The initial line-up featured Martin Kean, formerly of The Chills, on bass, and Joe Dilworth (from their Too Pure label-mates Th' Faith Healers) on drums, with Russell Yates (of Moose) and Mick Conroy (ex-Modern English) also appearing at early live shows. In 1993 they recruited Andy Ramsay (drums), who has remained in the group line-up ever since, and Mary Hansen (vocals, guitar, keyboards, percussion). Hansen's distinctive backing vocals became an important aspect of the Stereolab sound, and she remained a regular feature of the line-up until her death in a cycling accident on December 9, 2002. Multi-instrumentalist Sean O'Hagan of The High Llamas has also been a frequent contributor, particularly with string, brass and keyboard arrangements to the band's studio albums. Other members have come and (in some cases) gone over the years, including Duncan Brown, Dave Pajo (from Tortoise), Richard Harrison and Simon Johns (all bass); Gina Morris (vocals); and Katharine Gifford and Morgane Lhote (both on keyboards).

Early Stereolab material displayed a heavy influence of krautrock sounds, particularly Neu! and Faust, characteristically relying on droning, repetitive guitar or keyboard riffs, with or without vocals. Early heavy use of distorted Farfisa combo-organ sounds were also reminiscent of early recordings by the Modern Lovers. As the band developed, they incorporated new instrumentation, and an increasingly complex sense of rhythm and structure, frequently making use of irregular time signatures as well as unorthodox chord progressions and melodic intervals. The band has often made copious use of female backing vocal lines.

Lyrically, Stereolab's music is quirky (song titles evoke memories of 1950s science fiction stories, and are often borrowed directly from old films and records of the period, but have nothing to do with the song's content), but highly politically and philosophically charged, sometimes with a decidedly Mutualist or feminist bent. The song "Bop Scotch" from the album Margerine Eclipse, for example, can be interpreted as a direct attack on the contemporary policies of the United States, while "Strobo Acceleration" from Cobra and Phases Group Play Voltage in the Milky Night demonstrates the band's feminist political stance.

Stereolab earned a minor place in the Britpop movement, with their sound proving influential to bands like Blur: occasional keyboard-driven b-sides and singer Damon Albarn's love of retro keyboards showed the influence, and in recognition Lætitia Sadier was invited to provide vocals on "To The End" from Blur's Parklife album.

Despite the band's fan base and critical acclaim, Stereolab has not achieved high levels of financial or popular success. On June 7, 2004, the Warner Music label (to whom the band was signed in the US) announced they were dropping Stereolab in response to the poor sales (40,000 to that date) of Margerine Eclipse. This was part of an ongoing effort by Warner to cut costs; The Breeders and Third Eye Blind were also dropped from the label for this reason. Lætitia Sadier is now also a member of Monade, which is essentially expressive of her own singular musical goals.

1 Discography
2 Related bands
3 External links

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Discography

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Albums

Peng! Release Date: May 1992	Space Age Batchelor Pad Music Release Date: March 1993	Transient Random-Noise Bursts with Announcements Release Date: August 10 1993	Mars Audiac Quintet Release Date: August 9 1994
Music for the Amorphous Body Study Center Release Date: April 1995	Emperor Tomato Ketchup Release Date: April 9 1996	Dots and Loops Release Date: September 23 1997 Peak Chart Position: #111 (Billboard 200)	Cobra and Phases Group Play Voltage in the Milky Night Release Date: September 21 1999 Peak Chart Position: #154 (Billboard 200)
The First of the Microbe Hunters Release Date: May 16 2000	Sound-Dust Release Date: September 3 2001 Peak Chart Position: #178 (Billboard 200)	Margerine Eclipse Release Date: January 27 2004 Peak Chart Position: #174 (Billboard 200)