A cappella

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For the contemporary Christian singing group named Acappella, see Acappella (group).

A cappella music is vocal music or singing without instrumental accompaniment, or a piece intended to be performed in this way. A cappella is Italian for like in the chapel (music); the term is due to restrictions on the use of instruments in medieval churches. It is often misspelled as a capella, which is derived from the Latin spelling, or even acappella.

1 The roots of a cappella music
2 Modern a cappella
3 See also
4 External links

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The roots of a cappella music

A cappella music was and is often used in church music. Gregorian chant is an example of a cappella singing, as is the majority of sacred vocal music from the Renaissance. The Madrigal, up until its development in the early Baroque into an instrumentally-accompanied form, is also usually an a cappella form.

Present-day religious bodies known for conducting their worship services without musical accompaniment include the Amish, Old Regular Baptists, Primitive Baptists, most congregations of the Church of Christ, and the Old German Baptist Brethren, as well as some Presbyterian churches devoted to exclusive Psalmody. Eastern Orthodox Christian Church music is sang unaccompanied by instruments. Sacred Harp, a type of religious "folk" music, is an a cappella style of religious singing. It is more often sung at singing conventions than at church services. Some Muslims have adopted the idiom of a cappella music since traditional Islam prohibits the use of instruments except for some basic percussion. Muslim a cappella songs are known as nasheeds. Similarly, some who practice Judaism has adopted a cappella as a style of music used during the traditional counting of the omer period between Passover and Shavuot. During this period it is traditional for orthodox Jews to refrain from any instrumental music. Many Jewish groups have therefore taken to a cappella to produce music that can be heard through this period.Template:Fact

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Modern a cappella

Many standard choral works are a cappella in that no accompaniment is written in except perhaps for rehearsal purposes. But in the modern parlance, it applies to vocal performers who disdain instrumental accompaniment in all cases.

A cappella music attained renewed prominence from the late 1970s onward, spurred by the success of songs by popular recording artists such as The Manhattan Transfer, The Bobs, Bobby McFerrin, The Nylons, Flying Pickets, Die Prinzen, Rockapella, Take 6, Eclipse, Voice Male, Octapella and Boyz II Men. This prominence in turn led to a resurgence in collegiate a cappella—some larger universities now have a dozen groups or more.

Some of the major movements within modern a cappella are Barbershop, doo wop, and contemporary a cappella. Contemporary a cappella includes many vocal bands who add vocal percussion or beatboxing to create a pop/rock sound.

Arrangements of popular music for small a cappella ensembles usually include one voice singing the lead melody, one singing a rhythmic bass line, and the remaining voices contributing chordal or polyphonic accompaniment . (In Japan, these parts are known as vocal, bass, and chorus, respectively.)

A cappella can also describe the practice of using just the vocal track(s) from a multitrack recording to either remix or put onto vinyl records for DJs. Artists will sometimes release the vocal tracks of their popular songs so fans can remix them.

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