Composite video

From Free net encyclopedia

Image:Composite video.pngComposite video is the format of an analog television (picture only) signal before it is combined with a sound signal and modulated onto an RF carrier. It is usually in a standard format such as NTSC, PAL, or SECAM. It is a composite of three source signals called Y, U and V (together referred to as YUV) with sync pulses. Y represents the brightness or luminance of the picture and includes synchronizing pulses, so that by itself it could be displayed as a monochrome picture. U and V between them carry the colour information. They are first mixed with two orthogonal phases of a colour carrier signal to form a signal called the chrominance. Y and UV are then added together. Since Y is a baseband signal and UV has been mixed with a carrier, this addition is equivalent to frequency-division multiplexing.

Composite video cannot easily be directed to any broadcast channel simply by modulating the proper RF carrier frequency with it. Most analogue home video equipment records a signal in (roughly) composite format: LaserDiscs store a true composite signal, while VHS tapes use a slightly modified composite signal. These devices then give the user the option of outputting the raw signal, or modulating it on to a VHF or UHF frequency to appear on a selected TV channel. In typical home applications, the composite video signal is typically connected using an RCA jack, normally yellow (often accompanied with red and white for right and left audio channels respectively). BNC connectors and higher quality co-axial cable are often used in more professional applications.

In Europe, SCART connections are often used instead of RCA jacks — though SCART can also carry far superior RGB component video signals (and to a lesser extent, S-Video), so where available, RGB is used instead of composite video with computers, video game consoles, and DVD players.

Some devices that connect to a TV, such as videogame consoles (and the ubiquitous home computers of the 1980s), naturally output a composite signal. This may then be converted to RF with an external box known as an RF modulator that generates the proper carrier (often for channel 3 or 4 in North America). The RF modulator is preferably left outside the console so the RF doesn't interfere with the components inside the machine. VCRs and similar devices already have to deal with RF signals in their tuners, so the modulator is located inside the box. Also, most early home computers usually employed an internal RF modulator. Image:Composite.jpg The process of modulating RF with the original video signal, and then demodulating the original signal again in the TV, introduces several losses into the signal. RF is also "noisy" because of all of the video and radio signals already being broadcast, so this conversion also typically adds noise or interference to the signal as well. For these reasons, it is typically best to use composite connections instead of RF connections if possible. Almost all modern video equipment has composite connectors, so this typically isn't a problem.

However, just as the modulation and demodulation of RF loses quality, the mixing of the various signals into the original composite signal does the same. This has led to a proliferation of systems such as S-Video and component video to separate out one or more of the mixed signals.

Composite video is often designated by the CVBS acronym, meaning either "Color, Video, Blank and Sync", "Composite Video Baseband Signal", "Composite Video Burst Signal", or "Composite Video with Burst and Sync".

[edit]

Trivia

NTSC composite monitors are semi-compatible with PAL signals, but offer black and white picture even if the signal is in color, and it has poor vertical hold.
Almost every device with an S-video input or output also has a composite input or output.

[edit]