Fresco
From Free net encyclopedia
- For other uses, see Fresco (disambiguation).
Image:Ferapontov.jpg Image:Indischer version3.jpg A fresco (plural frescoes) is a term for several related painting types. The word comes from the Italian phrase buon fresco ("really fresh") a technical term in opposition to in secco ("on dry surface").
True fresco (buon fresco) technique consists of painting in pigment in a water medium on wet or fresh lime mortar or plaster. In secco painting is done on dry plaster and with the pigments in a binding medium, like egg. The difference between the two techniques is that as it dries the wet plaster absorbs the pigment and the painting becomes part of the wall surface rather than resting on top of it. This makes a durable work of art; if the wall is destroyed the painting can often be reassembled because of the size of the plaster parts.
Because of the need to work on freshly-laid plaster, careful study of the wall surface can reveal the area worked on in one day. In Renaissance Italy this was commonly called a giornata ("daily amount"). These divisions are perceptible with some magnification and even the naked eye if the plastering technique was not good.
Painters in fresco often add details later in secco. These details are not part of the wall and so they are much less durable. Egyptian wall paintings in tombs are usually in secco, while the Roman wall paintings at Pompeii and Herculaneum are in fresco.
Andrea Palladio, the famous Italian architect of the 16th century, built many mansions with plain exteriors and stunning interiors filled with frescoes.
Selected examples of Italian frescoes
Italian Late Medieval-Quattrocento
- Panels (including Giotto, Lorenzetti, Martini and others) in upper and lower Basilica of San Francesco d'Assisi
- Giotto, Cappella degli Scrovegni (Arena Chapel), Padua
- Camposanto, Pisa
- Masaccio, Brancacci Chapel, Santa Maria del Carmine di Firenze, Florence
- Ambrogio Lorenzetti, Palazzo Pubblico, Siena
- Piero della Francesca, Chiesa de San Francesco, Arezzo
- Ghirlandaio, Cappella Tornabuoni, Santa Maria Novella, Florence
- The Last Supper, Leonardo Da Vinci, Milan
- Sistine Chapel Wall series: Botticelli, Perugino, Rossellini, Signorelli, and Ghirlandaio
- Luca Signorelli, Chapel of San Brizio, Duomo, Orvieto
Italian "High Renaissance"
- Michelangelo's Sistine Chapel ceiling
- Raphael's Vatican Stanza
- Raphael's Villa Farnesina
- Giulio Romano's Palazzo del Tè, Mantua
- Mantegna, Camera degli Sposi, Palazzo Ducale, Mantua
- The dome of Cathedral Santa Maria del Fiore in Florence
- Michelangelo, Sistine Chapel altar wall
Italian Baroque
- The Loves of the Gods, Annibale Carracci, Palazzo Farnese
- Allegory of Divine Providence and Barberini Power, Pietro Da Cortona, Palazzo Barberini
- Ceilings, Giovanni Battista Tiepolo, (New Residenz) Wurzburg, (Royal Palace) Madrid, (Villa Pisani) Stra, and others; Wall scenes (Villa Valmarana and Palazzo Labia)
- Nave ceiling, Andrea Pozzo, Sant'Ignazio, Rome
See also
External links
- The Art and Nature of Fresco by Lucia Wiley
- Museum of Ancient Inventions: Roman-Style Fresco, Italy, 50 CE
- High Fresco - The Art of Ben Long
- Contemporary Fresco Painting Resource Center
- Fresco Techniques
- Fresco Schoolcs:Freska
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