Pompeii

From Free net encyclopedia

Pompeii is not to be confused with the Roman general Pompey. For the modern city, see Pompei.

Pompeii is a ruined Roman city near modern Naples in the Italian region of Campania, in the territory of the comune of Pompei. It was destroyed during a catastrophic volcanic eruption of the volcano Mount Vesuvius in 79 AD. The volcano buried the city under many feet of ash and it was lost for 1,600 years before its accidental rediscovery. Vesuvius could erupt catastrophically again. Since then, its excavation has provided an extraordinarily detailed insight into the life of a city at the height of the Roman Empire. Today, it is one of Italy's leading tourist attractions and is a UNESCO World Heritage Site. Image:Pompeii.jpg

1 Location
2 Early history
3 Vesuvius buries the city
4 Lost for 16 centuries
5 Earthquake, landslide and volcanic damage
6 Unique snapshot
7 Pompeii in popular entertainment
8 See also
9 References
10 External links

[edit]

Location

Image:Roman campania pompeii.png The ruins of Pompeii are located at coordinates Template:Coor dms, near the modern suburban town of Pompei. It stands on a spur formed by a lava flow to the north of the mouth of the Sarno River (known in ancient times as the Sarnus). Today it is some distance inland, but in ancient times it would have been nearer the coast.

In the 1st century AD, Pompeii was only one of a number of towns located around the base of Mount Vesuvius. The area had a substantial population which grew prosperous from the region's renowned agricultural fertility. Many of Pompeii's neighboring communities, most famously Herculaneum, also suffered damage or destruction during the 79 AD eruption.

[edit]

Early history

The town was founded around the 6th century BC by the Osci or Oscans, a people of central Italy. It had already been used as a safe port by Greek and Phoenician sailors. When the Etruscans threatened an attack, Pompeii allied with the Greeks, who then dominated the Gulf of Naples. In the 5th century BC, the Samnites conquered it (and all the other towns of Campania); the new rulers imposed their architecture and enlarged the town. It has been supposed that during the Samnites' domination, Rome conquered Pompeii for a while, but these theories have not been verified.

Pompeii took part in the war that the towns of Campania initiated against Rome, but in 89 BC it was besieged by Sulla. Although the troops of the Social League, headed by Lucius Cluentius, helped in resisting the Romans, in 80 BC Pompeii was forced to surrender after the conquest of Nola. It became a Roman colony with the name of Colonia Cornelia Veneria Pompeianorum. The town became an important passage for goods that arrived by sea and had to be sent toward Rome or Southern Italy along the nearby Appian Way.

In 62 AD, a violent earthquake severely damaged Pompeii and many other towns of Campania. In the time between 62 and the eruption in 79 AD, it was rebuilt, perhaps richer than before in houses and artworks.

[edit]

Vesuvius buries the city

Image:Pompeii the last day 1.jpg

The inhabitants of Pompeii, as those of the area today, had long been used to minor tremors, but on 5 February, 62 [1] there was a severe earthquake which did considerable damage around the bay and particularly to Pompeii. Some of the damage had still not been repaired when the volcano erupted [2]. However, this may have been a tectonic event rather than one associated with the rising of magma underneath the volcano[3].

Another, smaller earthquake took place in 64; it was recorded by Suetonius in his biography of Nero [4], in De Vita Caesarum, and by Tacitus in Book XV of Annales[5] because it took place whilst Nero was in Naples performing for the first time in a public theatre. Suetonius recorded that the emperor ignored the earthquake and continued singing until he had finished his song, whilst Tacitus wrote that the theatre collapsed after being evacuated.

The writer Pliny the Younger wrote that earth tremors "were not particularly alarming because they are frequent in Campania".

In early August of 79, springs and wells dried up[6]. Small earthquakes started taking place on 20 August, 79[7], becoming more frequent over the next four days, but the warnings were not recognised, and on the afternoon of August 24, a catastrophic eruption of the volcano started. The eruption devastated the region, burying Pompeii and other settlements. Coincidentally, the date was that of the Vulcanalia, the festival of the Roman god of fire.

The only surviving reliable eyewitness account of the event was recorded by Pliny the Younger in two letters[8] to the historian Tacitus. From his uncle's house in Misenum, approximately 35 km from the volcano, Pliny saw a remarkable phenomenon occurring over Mt. Vesuvius: a large dark cloud shaped rather like a pine tree emanating from the mouth of the mountain. After some time the cloud rushed down the flanks of the mountain and covered everything around it, including the surrounding sea. Image:LastdayofPompeii.jpg

The "cloud" that Pliny the Younger wrote about is known today as a pyroclastic flow, which is a cloud of superheated gas, ash, and rock that erupts from a volcano. It is now called the Plinian stage of the eruption, named after Pliny himself. Pliny stated that several earth tremors were felt at the time of the eruption and were followed by a very violent shaking of the ground. He also noted that ash was falling in very thick sheets and the village he was in had to be evacuated. Also, the sea was sucked away and forced back by an "earthquake", a phenomenon which modern geologists call a tsunami.

His description then turned to the fact that the sun was blocked out by the eruption and the daylight hours were left in darkness. His uncle Pliny the Elder had already taken several ships to investigate the phenomenon and to rescue people trapped at the foot of the volcano. Unable to land near the volcano because of an unfavourable wind and debris from the eruption, the elder Pliny continued to Stabiae about 4.5 km from Pompei. He died there the next morning; in the first letter to Tacitus his nephew suggested that this was due to the inhalation of toxic gases. However, Stabiae was 16 km from the vent and his companions were apparently unaffected by the fumes, and so it is more likely that the corpulent[9] Pliny died from a stroke or heart attack [10].

[edit]

Lost for 16 centuries

Image:EuropaPompeiiFresco.jpg Thick layers of ash covered two towns located at the base of the mountain, and eventually their names and locations were forgotten. Then Herculaneum was rediscovered in 1738, and Pompeii in 1748. These towns have since been excavated to reveal many intact buildings and wall paintings. The towns were actually found in 1599 by an architect named Fontana, who was digging a new course for the river Sarno, but it took more than 150 years before a serious campaign was started to unearth them. The king Charles VII of Two Sicilies took great interest in findings even after becoming king of Spain. Giuseppe Fiorelli took charge of the excavations in 1860. It was he who devised the technique of injecting plaster into the spaces left by the decomposed bodies to perfectly recreate the forms of Vesuvius's victims. Until that time, Pompeii and Herculaneum were assumed to be lost forever.

Image:Pompeii-couple.jpg

Some have theorized, without proof, that Fontana initially found some of the famous erotic frescoes and, due to the strict modesty prevalent during his time, reburied them in an attempt at archaeological censorship. This view is bolstered by reports of later excavators who felt that sites they were working on had already been visited and re-buried. A detailed discussion of the erotic art of Pompeii, with pictures, can be found in a separate article.

The Forum, the baths, many houses, and some villas remained surprisingly well preserved. A hotel (of 1,000 square meters) was found a short distance from the town; it is now nicknamed the "Grand Hotel Murecine".

Pompeii is, in fact, the only ancient town of which the whole topographic structure is known precisely as it was, with no later modifications or additions. It was not distributed on a regular plan as we are used to seeing in Roman towns, due to the difficult terrain. But its streets are straight and laid out in a grid, in the purest Roman tradition; they are laid with polygonal stones, and have houses and shops on both sides of the street. It followed its decumanus and its cardus.

[edit]

Earthquake, landslide and volcanic damage

Image:PompeiiStreet.jpg

An important current field of research concerns structures that were being restored at the time of the eruption (presumably damaged during the earthquake of 62). Some of the older, damaged, paintings could have been covered with newer ones, and modern instruments are being used to catch a glimpse of the long hidden frescoes. The probable reason why these structures were still being repaired 10 years after the earthquake was the increasing frequency of smaller quakes that led up to the eruption.

Most of the archeological digs at the site only extend down to the street level of the 79 volcanic event. Deeper digs in older part of Pompeii and core samples of nearby drillings have exposed layers of jumbled sediment that suggest that other events hit the city before the famed volcano, as three sheets of sediment have been found on top of the lava bedrock that lies below the city. Mixed in with the sediment, archeologists have found bits of animal bone, pottery shards and bits of plants. Using carbon dating, the oldest layer has been placed as 8th century BC, about the time that the city was founded. The other two layers are separated from the other layers by well developed soil layers or Roman pavement and were laid down in the 4th century BC and 2nd century BC. The theory behind the layers of jumbled sediment is large landslides, perhaps triggered by extended rainfall. (Senatore, et al., 2004)

During early excavations of the site, occasional voids in the ash layer were found that contained human remains. Giuseppe Fiorelli had the idea of filling the empty spaces with plaster. What resulted were highly accurate and eerie forms of the doomed Pompeiani who failed to escape, in their last moment of life (see [11], [12], [13]). For some of them the expression of terror is quite clearly visible. Image:Pompeii Garden of the Fugitives 02.jpg

Geologists have used the magnetic characteristics of rocks and debris found in Pompeii to estimate the temperature of the pyroclastic flow that buried the city. When molten rock solidifies, magnetic minerals in the rock record the direction of Earth's magnetic field. If the material is heated above a certain temperature, known as the Curie temperature, the magnetic field may be modified or completely reset.

Analysis of over 200 volcanic rocks and pieces of debris, such as roof tiles, suggest that the ash cloud had a temperature of 850°C when emerging from the mouth of Vesuvius. It had cooled to below 350°C by the time it reached the city. Most of the materials analyzed experienced temperatures between 240°C and 340°C. A few areas showed lower temperatures of only 180°C. It is theorized that turbulence may have mixed cool air into the ash cloud. (Cioni, et al., 2004) Pompeii carried on a prosperous trade in wine, oil, and breadstuffs.

[edit]

Unique snapshot

Image:Pompeii-woman.jpg

The town offers a snapshot of Roman life in the 1st century. This moment in time shows that Pompeii was a lively place before the eruption, and evidence abounds of literally the smallest details of everyday life. For example, on the floor of one of the houses (Sirico's), a famous inscription Salve, lucru (Welcome, money), perhaps humorously intended, shows us a trading company owned by two partners, Sirico and Nummianus (but this could be a nickname, since nummus means coin, money). In other houses, details abound concerning professions and categories, such as for the "laundry" workers (Fullones). Wine jars have been found bearing what is apparently the world's earliest known marketing pun, Vesuvinum. Graffiti carved on the walls shows us real street Latin.

Image:Pompeiiamphitheatre.jpg

At the time of the eruption, the town could have had some 20,000 inhabitants, and was located in an area in which Romans had their vacation villas. Many services were found: the Macellum (great food market), the Pistrinum (mill), the Thermopolium (sort of bar that served cold and hot beverages), the cauporioe (small restaurants), and an amphitheater.

In 2002 another important discovery at the mouth of Sarno river revealed that the port also was populated and that people lived in palafittes, within a system of channels that suggested a likeness to Venice to some scientists. These studies are just beginning to produce results.

[edit]

Pompeii in popular entertainment

Pompeii served as the background for the historic novel The Last Days of Pompeii and the British television series Up Pompeii, and Robert Harris' recent novel, Pompeii, a fictional account focused on aquarius (engineer) Marcus Attilius who must repair a fault in the largest aqueduct in the world, the Aqua Augusta, which has failed somewhere around Mount Vesuvius. In the visual arts, The Last Day of Pompeii is a famous painting by the Russian-born Carlo Brullo.

In October of 1971, the famous band Pink Floyd performed at the vacant 2,000-year-old amphitheater in Pompeii, to an audience composed of film crew including camera operators. The performance was released as a movie world wide, and on video later. The director later added space images and released a 'directors cut', currently available on DVD format.

Last Days of Pompeii is the 1991 rock opera by alternative rock band Nova Mob.

The theme park Busch Gardens in Williamsburg, Virginia featured an attraction entitled "Escape from Pompeii," which ferried riders via small boats through the city as ruins toppled around them.

Rexford (Rex) Phillips, a.k.a. “Rexino Mondo,” wrote, sang, narrated and produced a 210-minute “audio book” entitled Messenger From Pei. It tells of his tour of duty in the U.S. Army’s 10th Special Service Company in Korea, where he encountered, befriended and eventually discovered strong bonds with actress Debbie Reynolds. Unexplainable cross-currents take them on a journey into a past lifetime, and in particular their escape from “decadent Pei,” just prior to that city’s complete destruction, the same as the final days of its corrupted daughter-to-be “Pompeii.” The work was produced in 1992, and had limited circulation.

More recently, an hour-long drama produced for the BBC entitled Pompeii: The Last Day portrays several fictional characters living in Pompeii, Herculaneum and around the Bay of Naples, and their last hours, including a fuller and his wife, two gladiators, and Pliny the Elder. It also portrays the facts of the eruption.

Image:Palestra, Pompeii.jpg

[edit]

References

Senatore, M.R., J.-D. Stanley, and T.S. Pescatore. 2004. Avalanche-associated mass flows damaged Pompeii several times before the Vesuvius catastrophic eruption in the 79 C.E. Geological Society of America meeting. Nov. 7-10. Denver. Abstract.
Maiuri, Amedeo, Pompeii, pp, 78-85, in Scientific American, Special Issue: Ancient Cities, c. 1994.
{{cite journal

| author=Cioni, R.; Gurioli, L.; Lanza, R.; Zanella, E.
| title=Temperatures of the A.D. 79 pyroclastic density current deposits (Vesuvius, Italy)
| journal=Journal of Geophysical Research-Solid Earth
| volume=109 | issue= | year=2004
| url = http://www.agu.org/pubs/crossref/2004/2002JB002251.shtml
}}

[edit]