Hakka (linguistics)

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{{Infobox Language |name=Hakka |nativename=客家话 |familycolor=Sino-Tibetan |states=People's Republic of China, Taiwan (Republic of China), Malaysia, Singapore, Indonesia, and other countries where Hakka Chinese migrants have settled. |region=in China: Eastern Guangdong province; adjoining regions of Fujian and Jiangxi provinces |speakers=90 - 100 million (2005)| |fam2=Chinese |nation=One of the four announcement languages on the Taipei metro; ROC government sponsors Hakka language television station to preserve language |agency=The Guangdong Provincial Education Department created an official romanisation of Meixian Hakka dialect in 1960, one of four languages receiving this status in Guangdong. It is called Kejiahua Pinyin Fang'an. |iso1=zh|iso2b=chi|iso2t=zho|iso3=hak}}

Hakka (Simplified Chinese: 客家话, Traditional Chinese: 客家話, Pronunciation in Hakka: Hak-ka-fa/-va, Pinyin: Kèjiāhuà) is a spoken variation of the Chinese language spoken predominantly in southern China by the Hakka ethnic group and descendants in diaspora throughout East and Southeast Asia and around the world.

The Hakka language has numerous variants or dialects, spoken in Guangdong, Fujian, Jiangxi, Guangxi, Sichuan, Hunan, Guizhou provinces, including Hainan island and Taiwan. Hakka is not mutually intelligible with Mandarin, Cantonese, Minnan or most of the significant spoken variants of the Chinese language.

Amongst the dialects of Hakka, the Moi-yen/Moi-yan (梅縣, Pinyin: Méixìan) dialect of northeast Guangdong has typically been viewed as a prime example of the Hakka language, forming a sort of standard dialect.

The Guangdong Provincial Education Department created an official romanisation of Meixian Hakka dialect in 1960, one of four languages receiving this status in Guangdong.

See Identification of the varieties of Chinese for more on the dispute whether Hakka and other Chinese linguistic groups should be properly considered languages or dialects.

Contents

Name

The name of the Hakka people who are the predominant original native speakers of the language literally means "guest families" or "guest people": Ha 客 (Mandarin: kè) means "guest", and ka 家 (Mandarin: jia) means "family". Amongst themselves, Hakka people variously called their language Hak-ka-fa (-va) 客家語, Hak-fa (-va), 客語, Tu-gong-dung-fa (-va) 土廣東話, literally, "Native Guangdong language," and Ngai-fa (-va) 𠊎話, "My/our language".

History

The Hakka people have their origins in several episodes of migration from northern China into southern China during periods of war and civil unrest. The forebearers of the Hakka came from present-day Henan and Shaanxi provinces, and brought with them features of Chinese languages spoken in those areas during that time. (Since then the speech in those regions has evolved into dialects of modern Mandarin.) The presence of many archaic features occur in modern Hakka, including final consonants Template:IPA, as are found in other modern southern Chinese languages, but these have been lost in some northern Mandarin dialects.

Due to the migration of its speakers, the Hakka language may have been influenced by other language areas through which the Hakka-speaking forebears migrated. For instance, common vocabulary are found in Hakka, Min and Cantonese Chinese languages.

Some people consider Hakka to have mixed with other languages, such as the language of the She people, throughout its development.

Linguistic development

A regular pattern of sound change can generally be detected in Hakka, as in most Chinese languages, of the derivation of lexemes from earlier forms of Chinese. Some examples:

  • The lexeme represented by the characters 武 (war, martial arts) or 屋 (room, house), pronounced "mvu" in Middle Chinese is vu and vuk in Hakka respectively ( Mandrin: wu).
  • Lexemes corresponding with characters 人 and 日, among others, are pronounced with a ng consonant in Hakka (人:ngin, 日:ngit), while being pronounced with an r consonant in many Chinese languages, including Mandarin
  • The consonant initial of the lexeme corresponding with the character 話 (word, speech; Mandarin hua) is pronounced f or v in Hakka (v does not properly exist as a distinct unit in many Chinese languages)
  • The initial consonant of 學 hɔk, corresponds with an h consonant in Cantonese and an unvoiced palatal (x) in Mandarin.

Hakka phonology

Moiyen dialect initials

There are no voiced plosives (Template:IPA) in Hakka, but it exhibits two sets of voiceless, one unaspirated (Template:IPA), and the other aspirated (Template:IPA).

  IPA/Rom Labials Dentals/Apicals Silibants Palatals Velars Laryngeals
Voiceless Unaspirated Stops IPA Template:IPA Template:IPA Template:IPA   Template:IPA Template:IPA
Rom b d z / j(i)   g  
Voiceless Aspirated Stops IPA Template:IPA Template:IPA Template:IPA   Template:IPA  
Rom p t c / q(i)   k  
Nasals IPA Template:IPA Template:IPA   Template:IPA Template:IPA  
Rom m n   ng(i) ng  
Fricatives IPA Template:IPA   Template:IPA     Template:IPA
Rom f   s / x(i)     h
Liquids IPA Template:IPA Template:IPA   Template:IPA    
Rom v l   (y)    

When the initials [ʦ ʦʰ s] and [ŋ] are followed by a palatised medial, they become [ʨ ʨʰ ɕ] and [ɲ] respectively.

Moiyen rimes

Moiyen Hakka has six vowels, Template:IPA, that are romanised as i, i, ê, a, e, o and u, respectively. The palatisation medial (Template:IPA) is represented by i and the labialisation medial (Template:IPA) is represented as u.

Moreover, Hakka rimes exhibits the final stops found in Middle Chinese, namely Template:IPA which are romanised as m, n, ng, b, d, and g respectively in the official Moiyen romanisation.

vowel medial + vowel Template:IPA Template:IPA Template:IPA Template:IPA Template:IPA Template:IPA Template:IPA Template:IPA
Syllabics         Template:IPA   ŋ      
  Template:IPA   Template:IPA Template:IPA Template:IPA Template:IPA Template:IPA Template:IPA Template:IPA Template:IPA
    Template:IPA Template:IPA Template:IPA Template:IPA Template:IPA Template:IPA Template:IPA Template:IPA Template:IPA
    Template:IPA Template:IPA     Template:IPA Template:IPA   Template:IPA Template:IPA
  Template:IPA     Template:IPA Template:IPA Template:IPA   Template:IPA Template:IPA  
    Template:IPA       Template:IPA     Template:IPA  
    Template:IPA       Template:IPA     Template:IPA  
  Template:IPA     Template:IPA Template:IPA Template:IPA   Template:IPA Template:IPA  
  Template:IPA   Template:IPA     Template:IPA Template:IPA   Template:IPA Template:IPA
    Template:IPA       Template:IPA Template:IPA     Template:IPA
    Template:IPA Template:IPA     Template:IPA Template:IPA     Template:IPA
  Template:IPA   Template:IPA     Template:IPA Template:IPA   Template:IPA Template:IPA
      Template:IPA     Template:IPA Template:IPA   Template:IPA Template:IPA
  Template:IPA       Template:IPA Template:IPA   Template:IPA Template:IPA  

Moiyen tones

The Middle Chinese fully voiced initial characters have become aspirated unvoiced initial characters in Hakka. The four Middle Chinese tones Ping, Shang, Qu, Ru have developed in the Moiyen dialect to exhibit a yin-yang splitting in the Ping tone, and a yin-yang splitting in the Ru tone, giving it six tones.

Tone name Yin Ping Yang Ping Shang Qu Yin Ru Yang Ru
Tone contour 44 11 31 53 1 5
Tone 1 2 3 4 5 6

These so called yin-yang tonal splittings developed mainly as a consequence of the type of initial a Chinese character had during the Middle Chinese stage in the development of Chinese languages, with unvoiced initial characters Template:IPA tending to become of the yin type, and the voiced initial characters Template:IPA developing into the yang type. In modern Moiyen Hakka however, part of the Yin Ping tone characters have sonorant initials Template:IPA originally from the Middle Chinese Shang tone characters and fully voiced Middle Chinese Qu tone characters, so the voiced/unvoiced distinction should be taken only as a rule of thumb.

Hakka tone contours differs more as one moves away from Moiyen. For example the Yin Ping contour is given as 33 in Changting (长汀) and 24 in Sixian (四县), Taiwan.

Tone Sandhi in Moiyen Hakka

For Moiyen Hakka, the yin ping and qu tone characters exhibit sandhi when the following character is of a lower pitch than it is. The pitch of the yin ping tone changes from /44/ to /35/ when sandhi occurs. Similarly, the qu tone changes from /53/ to /55/ under sandhi.

Sandhi + Yin Ping + Yang Ping + Shang + Qu + Yin Ru + YangRu + Neutral
Yin Ping + 44 + 44 35 + 11 35 + 31 35 + 53 35 + 1 44 + 5 35 + ~
Qu + 53 + 44 55 + 11 55 + 31 55 + 53 55 + 1 53 + 5 55 + ~

The neutral tone is indicated by the tilde occurring in some postfixes used in Hakka. Its pitch level can be approximated by /3/.

Other dialects of Hakka

The Hakka language has as many regional dialects as there are counties with Hakka speakers in the majority. Surrounding Meixian are the counties of Pingyuan 平遠, Dabu 大埔, Jiaoling 蕉嶺, Xingning 興寧, Wuhua 五華, and Fengshun 豐順. Each is said to have its own special phonological points of interest. For instance, the Xingning does not have rimes ending in Template:IPA or Template:IPA. These have merged into Template:IPA and Template:IPA ending rimes, respectively. Further away from Meixian, the Hong Kong dialect lacks the Template:IPA medial, so whereas Meixian dialect pronounces the character 光 as Template:IPA, Hong Kong Hakka dialect pronounces it as Template:IPA, which is similar to the Hakka spoken in neighbouring Shenzhen.

As much as endings and vowels are important, the tones also vary across the dialects of Hakka. The majority of Hakka dialects have six tones, as typified by Meixian dialect above. However, there are dialects which have lost all of their Ru Sheng tones, and the characters originally of this tone class are distributed across the non-Ru tones. Such a dialect is ChangTing 長汀 which is situated in the Western Fujian province. Moreover, there is evidence of the retention of an earlier Hakka tone system in the dialects of Haifeng 海 豐 and Lufeng 陸 豐 situated on coastal south eastern Guangdong province. They contain a yin-yang splitting in the Qu tone, giving rise to seven tones in all (with yin-yang registers in Ping and Ru tones and a Shang tone).

The Hailu 海陸 Hakka dialect speakers found on Taiwan originated from this region. This particular dialect contains postalveloar consonants (Template:IPA, Template:IPA, Template:IPA, etc.), usually not found in other Chinese languages. Taiwan's other main population of Hakka speakers, the Sixian (Hakka: Siyen 四縣) speakers come from Jiaying 嘉應 and surrounding Jiaoling, Pingyuan, Xingning, and Wuhua dialects. Jiaying county later changed its name to Meixian.

Hakka Vocabulary

Like other southern Chinese languages, Hakka retains single syllable words from earlier stages of Chinese because it can differentiate a large number of working syllables by tone and rime. This reduces the need for compounding or making words of more than one syllable. However, it is also similar to other Chinese languages in having words which are made from more than one syllable.

Examples of Single Syllable Words

人 [ŋin33] person (Mandarin rén)
碗 [ʋɔn33] bowl (Mand. wǎn)
狗 [kɛu33] dog (Mand. gǒu)
牛 [ŋiu11] cow (Mand. niú)
屋 [ʋuk3] house (Mand. )
嘴 [tsɔi53] mouth (Mand. zuǐ)
𠊎 [ŋai11] me/I (Mand. 我)

Example of Multiple-Syllable Words

日頭 [ŋit3 thɛu11] sun
月光 [ŋiɛt53 kwɔŋ33] moon
屋下/屋家 [ʋuk3 kha33] home
電話 [thiɛn54 ʋa53] telephone
學堂 [hɔk53 thɔŋ11] school

Hakka prefers the verb [kɔŋ31] 講 when refering to speaking rather than the Mandarin shuo 說 ( Hakka [sɔt3] ), or Cantonese king 卿.

Hakka uses [sit5] 食, like Cantonese (sik) for the verb "to eat", unlike Mandarin which prefers chi 吃.

Writing systems

Various dialects of Hakka have been written in a number of Latin orthographies, largely for religious purposes, since at least the mid-19th century.

Currently the single largest work in Hakka is the New Testament and Psalms (1993, 1138 pp., see [1]), although that is expected to be surpassed soon by the publication of the Old Testament. These works render Hakka in both romanization and Han characters (including ones unique to Hakka) and are based on the dialects of Taiwanese Hakka speakers.

The popular Le Petit Prince has also been translated into Hakka (2000), specifically the Miaoli dialect of Taiwan (itself a variant of the Sixian dialect). This also was dual-script, albeit using the Tongyong Pinyin scheme.

External links


[edit] Chinese: spoken varieties  
Categories:

Gan | Hakka | Hui | Jin | Mandarin | Min | Ping | Xiang | Wu | Cantonese
Danzhouhua | Shaozhou Tuhua

Subcategories of Min: Min Bei | Min Dong | Min Nan | Min Zhong | Puxian | Qiongwen | Shaojiang
Subcategories of Mandarin: Northeastern | Beijing | Ji-Lu | Jiao-Liao | Zhongyuan | Lan-Yin | Southwestern | Jianghuai | Dungan
Note: The above is only one classification scheme among many.
The categories in italics are not universally acknowledged to be independent categories.
Comprehensive list of Chinese dialects
Official spoken varieties: Standard Mandarin | Standard Cantonese
Historical phonology: Old Chinese | Middle Chinese | Proto-Min | Proto-Mandarin | Haner
Chinese: written varieties
Official written varieties: Classical Chinese | Vernacular Chinese
Other varieties: Written Vernacular Cantonese
zh-min-nan:Kheh-oē

br:Hakaeg de:Hakka (Sprache) ko:하카어 id:Bahasa Hakka ja:客家語 sv:Hakka (språk) vi:Tiếng Khách Gia zh:客家话