Hatshepsut
From Free net encyclopedia
Maatkare Hatshepsut or Hatchepsut (late 16th century BC – c. 1482 BC) was the fifth pharaoh of the Eighteenth dynasty of Ancient Egypt. Hatshepsut is generally regarded by modern Egyptologists as one of the most successful pharaohs, ruling longer than any female ruler of an indigenous dynasty. She was one of the most prolific builders of ancient Egypt, commissioning hundreds of construction projects throughout both Upper and Lower Egypt and under her reign Egypt's trade networks began to be rebuilt, after their disruption during the Hyksos occupation of Egypt during the Second Intermediate Period. She is believed to have ruled from 1503 BC to 1482 BC. Josephus writes that she reigned 21 years and 9 months, while Africanus states her reign lasted 22 years; both of whom were quoting Manetho. Hatshepsut is regarded variously as the earliest known queen regnant in history, as the first known female to take the title King of Upper and Lower Egypt, and the first great woman in history, although all of these claims have been contested.
Contents |
Family and pre-pharaonic life
Hatshepsut was the eldest daughter of Thutmose I and Queen Ahmose, the first king and queen of the Thutmosid clan of the 18th Dynasty. Thutmose I and Ahmose are known to have had only one other child, a daughter Akhbetneferu (Neferubity), who died in infancy. Thutmose I also married Mutnofret, possibly a daughter of Ahmose I, and produced several half-brothers to Hatshepsut: Wadjmose, Amenose, Thutmose II, and possibly Ramose, through that union. Both Wadjmose and Amenose were prepared to succeed their father, but neither lived beyond adolescence. In childhood, Hatshepsut is believed to have been favored by the Temple of Karnak over her two brothers—a view promoted by her own propaganda. She apparently had a loving relationship with both parents, and produced a propaganda story in which her father Thutmose I supposedly named her as his direct heir (see below).
Upon the death of her father in 1492 BC, she married Thutmose II and assumed the title of Great Royal Wife. Thutmose II ruled for thirteen years, during which it has been traditionally believed that Hatshepsut exerted a strong influence over him.
Thutmose II had one daughter with Hatshepsut, Neferure. Hatshepsut groomed Neferure as crown prince, commissioning official portraits of her wearing the false beard and side lock of youth. Some scholars speculate that this is evidence that Hatshepsut was grooming Neferure for the throne; others that she was merely planning another Hatshepsut. Whatever her intentions were, they came to nothing as Neferure did not live into adulthood.
Her rule
Upon Thutmose II's death, the throne passed to Thutmose III, and Hatshepsut—as the boy king's aunt and stepmother—was selected to be interregnum regent until he came of age. At first it seemed that Hatshepsut was patterning herself after the powerful female regents of Egypt's then-recent history, but as Thutmose III approached maturity it became apparent that she had only one model in mind: Sobekneferu, the last monarch of the Twelfth dynasty, who ruled in her own right. However, Hatshepsut took one step further than Sobekneferu and had herself crowned pharaoh around 1473 BC, taking the throne name Maatkare.
Hatshepsut surrounded herself with strong and loyal advisors, many of whom are still known today: Hapuseneb, the High Priest of Amun, and her closest advisor, the royal steward Senemut. Because of the close nature of Hatshepsut and Senemut's relationship, some Egyptologists have theorized that Hatshepsut and Senemut were lovers. Among the evidence they offer to support this claim is the fact that Hatshepsut allowed Senemut to place his name and an image of himself behind one of the main doors in Djeser-Djeseru (a rare and unusual sharing of credit), that Senemut had two tombs constructed near Hatshepsut's tomb (this was, however, a standard privilege for close advisors), and the presence of graffiti in an unfinished tomb, used as a rest house by the workers of her mortuary temple, depicting a male and a hermaphrodite in pharaonic regalia engaging in an explicit sexual act. Although the belief that Hatshepsut and Senemut were lovers is well known, it is highly contested among EgyptologistsTemplate:Ref; all that is agreed on is that the steward had ready access to the queen's ear.
As Hatshepsut reestablished the trade networks that had been disrupted during the Hyksos occupation of Egypt (the Second Intermediate Period), the wealth of the 18th dynasty that has become so famous since the discovery of the burial of Tutankhamun began to be collected. She oversaw the preparations and funding for a mission to the Land of Punt. The expedition set out in her name with five ships, each measuring seventy feet long, and with several sails; each ship accommodated 210 men, including sailors and thirty rowers. Many goods were bought in Punt, most notably myrrh, which is said to have been Hatshepsut's favorite fragrance. She had the expedition commemorated in relief at Deir el-Bahri, which is famous for its unflattering depiction of the Queen of Punt.
Although many Egyptologists have claimed that her foreign policy was mainly peacefulTemplate:Ref, there is evidence that she led successful military campaigns in Nubia, the Levant and Syria early in her career.
Hatshepsut died, either as she was approaching or just entering middle age, in early February 1482 BC or 1483 BCTemplate:Ref; no record of her cause of death has survived, although both natural causes and murder have been proposed. Her mummy is believed to be missing from the Deir el-Bahri Cache, and has never been officially identified. An unidentified female mummy—found with Hatshepsut's wet nurse Sitre In and with her arms posed in the traditional burial style of pharaohs—has led to the theory that the unidentified mummy might be HatshepsutTemplate:Ref.
Builder pharaoh
Image:Egypt.HatshepsutsTemple.01.jpg
Hatshepsut was a builder pharaoh. As pharaoh she initiated building projects that were grander and more numerous than those of any of her New Kingdom predecessors. She employed two great architects: Ineni, who had worked for both her husband and father, and the royal steward Senemut. During her reign so much statuary was produced that almost every major museum in the world has a collection of Hatshepsut statuary; for instance, the Hatshepsut Room in New York City's Metropolitan Museum of Art is solely dedicated to these pieces. Like most pharaohs she had monuments constructed at the Temple of Karnak. She had twin obelisks, at the time the tallest in the world, erected at the entrance to the temple. One still stands today; the other has since broken in two and toppled. Karnak's Red Chapel, or Chapelle Rouge, was intended as a barque shrine and may have originally stood between the two obelisks. She later ordered two more obelisks to be made to celebrate her sixteenth year as pharaoh. However, one of the obelisks broke while being made, causing a third to be made to replace it. The broken obelisk was left at its quarrying site in Aswan, where it still is today, and has proven valuable in learning how obelisks were quarriedTemplate:Ref.
The masterpiece of her building projects was her mortuary temple complex at Deir el-Bahri. It was designed and implemented by Senemut on a site on the West Bank of the Nile close to the entrance to the Valley of the Kings. The focal point was the Djeser-Djeseru or "the Sublime of Sublimes", a colonnaded structure of perfect harmony nearly one thousand years before the Parthenon. Djeser-Djeseru sits atop a series of terraces that were once graced with gardens. Djeser-Djeseru is built into a cliff face that rises sharply above it. Djeser-Djeseru and the other buildings of the Deir el-Bahri complex are considered to be among the great buildings of the ancient world.
Official propaganda
Image:Hatshepsut (cropped).jpg
Hatshepsut was an excellent propagandist, and while all ancient leaders used propaganda to legitimize their rule, she is one of the most known for it. Much of her propaganda had religious overtones supported by the priests at the Temple of Karnak.
In ancient Egypt, women had a higher status than they did elsewhere in the ancient world, including the court-protected right to own or inherit property. Yet having a female ruler in her own right was rare: only Khent-Kaues, Sobeknefru and possibly Nitocris preceded her as ruling in their own name. Pharaoh was an exclusively male title; at this point in Egyptian history there was no word for a Queen regnant, only one for Queen consort. Hatshepsut is unique in that she was the first woman to take the title of King regnant or King in the absence of a word or title for Queen regnant.
Hatshepsut slowly assumed all of the regalia and symbols of the office of King: the Khat head cloth, topped with an uraeus, the false beard and shendyt kilt. Many existing statues show her in both a feminine and masculine form. Statues portraying Sobekneferu also combine elements of traditional male and female iconography and may have served as inspiration for the works commissioned by HatshepsutTemplate:Ref. However, after this period of transition ended, all depictions of her showed her in a masculine form, with all of the pharaonic regalia and with her breasts omitted. Her reasons for doing this are a topic of great debate in Egyptology. The traditional explanation is that her motivation for wearing men's clothing was sexual. However, most modern scholars believe in a more recent theory: that by assuming the exclusively male symbols of pharaonic power, Hatshepsut was asserting her claim to be King or Queen regnant and not "King's Great Wife" or Queen consort. Even after assuming the male persona, Hatshepsut still described herself as a beautiful woman, often the most beautiful woman, and although she assumed almost all of her father's titles, she declined to take the title "The Strong Bull"Template:Ref.
While the queen-pharaoh had herself depicted in art wearing the masculine regalia of the king, such as the false beard, it is most unlikely that she actually wore such ceremonial decorations. Statues such as the ones at the Metropolitan Museum of Art depicting her seated wearing a tight-fitting dress and the nemes crown are a more accurate representation of how she would have presented herself.
One the most famous pieces of her propaganda is a myth about her birth. In this myth, Amun goes to Ahmose in the form of Thutmose I and wakes her with pleasant odors. At this point Amun places the ankh, a symbol of life, to Ahmose's nose, and Hatshepsut is conceived. Khnum, the god who forms the bodies of human children, is then instructed to create a body and ka, or corporal presence/life force, for Hatshepsut. Khnum and Heket, goddess of life and fertility, lead Ahmose along to a lion bed where she gives birth to Hatshepsut.
To further strengthen her position; the Oracle of Amun proclaimed that it was the will of Amun that Hatshepsut be Pharaoh. She publicized Amun's support by having endorsements by Amun carved on her monuments, for example:
- Welcome my sweet daughter, my favorite, the King of Upper and Lower Egypt, Maatkare, Hatshepsut. Thou art the Pharaoh, taking possession of the Two Lands.
She also claimed that she was her father's intended heir and that he made her crown prince of Egypt. Most scholars see this as revisionism on Hatshepsut's part, but one of her most well known biographers, Evelyn Wells, takes her at her word. Propaganda supporting her claim was commissioned on the walls of her mortuary temple:
- Then his majesty said to them: "This daughter of mine, Khnumetamun Hatshepsut—may she live!—I have appointed as my successor upon my throne... she shall direct the people in every sphere of the palace; it is she indeed who shall lead you. Obey her words, unite yourselves at her command." The royal nobles, the dignitaries, and the leaders of the people heard this proclamation of the promotion of his daughter, the King of Upper and Lower Egypt, Maatkare—may she live eternally!
Names
As with most pharaohs, Hatshepsut had a number of names. Her birth name, or nomen, was Hatshepsut, to which she suffixed the epithet Khenmetamun, and prefixed the praenomen, or throne name Maat-ka-re. Her names are written as shown in Egyptian hieroglyphs on the right; Maat-ka-re to the top and Hatshepsut to the bottom.
Maat-ka-re means "Maàt is the ka-spirit of Ra" and Hatshepsut means "Foremost of distinguished women, Joined with Amun". Together they mean "Maàt is the ka-spirit of Ra, Foremost of distinguished women, Joined with Amun". After she ascended the throne she changed her name from the feminine Hatshepsut to the male HatshepsuTemplate:Ref.
The names are technically transliterated as m3at-k3-ra H3t-špswt–hnmt-ỉmn.
Hatshepsut and Hatchepsut are the most common spellings of her name, but Hapshepsut and Hat-shep-set are sometimes found.
Changing image
In Egyptology
After her death, many of her monuments were defaced or destroyed. Replacing the names on older monuments with the name of the current ruler was a common practice of pharaohs, but in some cases this is thought to have been an act of damnatio memoriae—condemning a person by erasing him or her from recorded existenceTemplate:Ref. Egyptologists have differing views on who defaced Hatshepsut's monuments and their possible motivations including resentment for the belief that a female Pharaoh was against Maàt.
The traditional belief is that Thutmose III was responsible, and view the act as revenge for being denied the throne for so long. However, researchers such as Charles Nims and Peter Dorman have examined these erasures and found that those which can be dated were done after the forty-second year of Thutmose's reign, while Donald B. Redford suggests a more sympathetic and complex motivation: Thutmose's need to demonstrate his legitimacy. Redford notes that:
- Here and there, in the dark recesses of a shrine or tomb where no plebeian eye could see, the queen's cartouche and figure were left intact ... which never vulgar eye would again behold, still conveyed for the king the warmth and awe of a divine presence.Template:Ref
In popular culture
As the Feminist movement matured, prominent women from antiquity were sought out and their achievements became increasingly publicized. Hatshepsut went from being one of the most obscure leaders of Egypt at the beginning of the 20th century to one of its most famous by the century's end. Biographies such as Hatshepsut by Evelyn Wells romanticized her as a beautiful and pacifistic woman — "the first great woman in History". This was quite a contrast to the 19th-century view of Hatshepsut as a wicked step mother usurping the throne from Thutmose III.
At least three authors have written historical fiction novels featuring Hatshepsut as the heroine, and the Lieutenant Bak series of mystery novels is set during her reign. In 1960 a small main belt asteroid discovered by Cornelis Johannes van Houten, Ingrid van Houten-Groeneveld and Tom Gehrels was named 2436 Hatshepsut in her honor. There is a popular theory that states that Hatshepsut was the princess who found Moses floating in the Nile, which has been largely discredited by Egyptologists and Biblical scholars.
Hatshepsut is one of the AI leaders featured in the turn-based strategy computer game Sid Meier's Civilization IV, and her mortuary temple was reproduced in the computer game Serious Sam. To date no film has been made featuring Hatshepsut, but a screenplay named Daughter of Ra has won awards, and is being lobbied for online and at least three novels; Hatshepsut: Daughter of Amun by Moyra Caldecott, Child of the Morning by Pauline Gedge and Pharaoh by Eloise Jarvis McGraw. In the first decade of the 21st century Hatshepsut was one of the most popular and recognized leaders of ancient Egypt.
See also
| Preceded by: Thutmose II | Pharaoh of Egypt Eighteenth Dynasty | Succeeded by: Thutmose III |
Child of the Morning by Pauline Gedge
Note though that Hatshepsut's headgear as portrayed in 'Civilization 4' is incorrect. The rendering appears to look more like Nefertiti than any historical representation of Hatshepsut.
References
- Template:Note Seawright see sources below
- Template:Note Tyldeseley pp. 189-193 and Wells pp 194-195, see sources below.
- Template:Note Tyldeseley pp. 137-144, see sources below
- Template:Note Tyldeseley pp. 210, see sources below
- Template:Note Tyldeseley pp. 213-214, see sources below
- Template:Note The Unfinished Obelisk by Peter Tyson March 16, 1999 NOVA online adventure
- Template:Note Callender/Shaw p. 170 see sources below
- Template:Note The Queens of Egypt Part One, by Sameh Arab
- Template:Note Wells pp. 253-261, see sources below
- Template:Note Redford, p. 87.
Sources
- Donald B. Redford, History and Chronology of the 18th dynasty of Egypt: Seven studies, Toronto: University Press, 1967.
- Caroline Seawright, Hatshepsut, Female Pharaoh of Egypt, touregypt.net, retrieved June 15, 2005
- Ian Shaw, The Oxford History of ancient Egypt, Oxford University Press, 2000, 512 pages, ISBN 0192802933
- Gae Callender The Middle Kingdom Renaissance (Chapter 7)
- Joyce Tyldesley, Hatchepsut: The Female Pharaoh, Penguin Books, 1998, paperback, 270 pages, ISBN 0140244646
- Evelyn Wells, Hatshepsut, Double Day, 1969, hardback, 211 pages, Library of Congress catalog card # 69-10980
External links
- Hatshepsut, the Queen who would be King
- Maatkare.com fansite
- Maat-ka-ra.de fansite (in German)
- Daughter of Ra Screenplay
- Poetry honoring Hatshepsut
Template:Ancient Egyptianscs:Hatšepsut de:Hatschepsut es:Maatkara-Hatshepsut et:Hatšepsut fi:Hatsepsut fr:Hatshepsout he:חתשפסות hr:Hatšepsut it:Hatshepsut ja:ハトシェプスト ka:ჰატშეფსუტი lt:Hašepsuta nl:Hatsjepsoet pl:Hatszepsut pt:Hatshepsut ru:Хатшепсут sk:Hatšepsovet sl:Tempelj kraljice Hačepsut sv:Hatschepsut zh:哈特谢普苏特