Book

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A book is a collection of leaves of paper, parchment or other material, bound together along one edge within covers. A book is also a literary work or a main division of such a work. A book produced in electronic format is known as an e-book.

In library and information science, a book is called a monograph to distinguish it from serial publications such as magazines, journals or newspapers.

Publishers may produce low-cost, pre-proof editions known as galleys for promotional purposes, such as generating reviews in advance of publication. Galleys are usually made as cheaply as possible, since they are not intended for sale.

A lover of books is usually referred to as a bibliophile, a bibliophilist, or a philobiblist, or, more informally, a bookworm.

A book may be studied by students in the form of a book report. It may also be covered by a professional writer as a book review to introduce a new book. Some belong to a book club.

Contents

History

Image:Pompeii-woman.jpg Image:Old book bindings.jpg The oral account (word of mouth, tradition, hearsay) is the oldest carrier of messages and stories. When writing systems were invented in ancient civilizations, nearly everything that could be written upon - metal sheets, stone, clay, tree bark - was used for writing.

In Egypt papyrus was used for writing already 2400 BC. Papyrus sheets were glued together to form a scroll. This custom gained widespread popularity in hellenistic and Roman world, although we have evidence that tree bark (latin liber, from there also library) was used earlier times in Italy. Papyrus scrolls were still dominant when codex appeared in the first century - as do the findings in Pompeii give witness. First written mentioning of codex as the form of the book is from Martial. Some have said that Julius Caesar invented the first codex during the Gallic Wars. He would issue scrolls folded up accordion style and use the "pages" as reference points.Template:Citation needed In the pagan hellenistic world codex never gained much popularity and only within the Christian community it was popularized and gained widespread use. The idea of a codex is probably influenced by the way several wax tablets were joined together, as does the etymology of the word codex (block of wood) suggest. At first used mainly for accounting the codex together with the development of parchment slowly phased out papyrus scolls during third century AD. This happened already in the Christian environment and the reasons of adopting the codex form of the book are several - the codex format is more economical as you can use both sides of the writing material, it is easy to conceal, portable and searchable. It is also possible that the Christian authors distinguished their writings on purpose from the pagan texts which were written normally in the form of scrolls.

The fall of the Roman Empire in the fifth century saw the decline of Roman culture. Book culture was however kept alive in Latin in monasteries, because first Cassiodorus in the monastery of Vivarium and later St. Benedict of Nursia, in the sixth century stressed the importance of copying texts. This greatly influenced the importance of books through the Middle Ages, and why the clergy were the predominant readers of books.

Before the invention and adoption of the printing press, almost all books were copied by hand, which made books comparatively expensive and rare. There were four types of scribes: 1. Copyists (they dealt with basic production and correspondence) 2. Calligraphers (who dealt in fine book production) 3. Correctors (they collated, and compared a finished book with the manuscript from which it had been produced) 4. Rubricators (they painted in the red letters) and Illuminators (they painted illustrations)

Irish monks introduced spacing between words in the seventh century. This facilitated reading, and these monks tended to be less familiar with Latin. Including spacing between letters did not become common practice until later, in the eleventh century.

During the early Middle Ages, when only churches, universities, and rich noblemen could typically afford books, they were often chained to a bookshelf or a desk to prevent theft. The first books used parchment or vellum (calf skin) for the pages, which was later replaced with paper. Vellum and paper also were produced congruent to one another, vellum being the more expensive and durable option. Printers or publishers would often issue the same publication on both materials, to cater to more than one market. Paper was first made in China. Early Western paper was made with rags. The industrial revolution changed paper-making practices, allowing for paper to be made out of wood pulp.

In the mid 15th century books began to be produced by block printing in western Europe (the technique had been known in the East centuries earlier). In block printing, a relief image of an entire page was carved out of wood. It could then be inked and used to reproduce many copies of that page. Creating an entire book, however, was a painstaking process, requiring a hand-carved block for each page. Also, the wood blocks were not durable and could easily wear out or crack.

The oldest dated book printed by the method of block printing is The Diamond Sutra. There is a wood block printed copy in the British Library which, although not the earliest example of block printing, is the earliest example which bears an actual date. It was found in 1907 by the archaeologist Sir Marc Aurel Stein in a walled-up cave near Dunhuang, in northwest China. The colophon, at the inner end, reads: Reverently [caused to be] made for universal free distribution by Wang Jie on behalf of his two parents on the 13th of the 4th moon of the 9th year of Xiantong [i.e. 11th May, CE 868 ].

The Chinese inventor Pi Sheng made moveable type of earthenware circa 1045, but we have no surviving examples of his printing. He embedded the characters, face up, in a shallow tray lined with warm wax. He laid a board across them and pressed it down until all the characters were at exactly the same level. When the wax cooled he used his letter tray to print whole pages.

It was not until Johann Gutenberg popularized the printing press with metal moveable type in the 15th century that books started to be comparatively affordable (although still quite expensive for most people) and more widely available. This upset the status quo, leading to remarks such as "The printing press will allow books to get into the hands of people who have no business reading books." It is estimated that in Europe about 1,000 various books were created per year before the development of the printing press.

Before Gutenberg, Stationers guilds existed. These guilds were secular, and produced both religious and non-religious material. Manuscripts, both divine and secular, were produced in Latin, the language of the Roman-Catholic church.

With the rise of printing in the fifteenth century, books were published in limited numbers and were quite valuable. The need to protect these precious commodities was evident. One of the earliest references to the use of bookmarks was in 1584 when the Queen's Printer, Christopher Barker, presented Queen Elizabeth I with a fringed silk bookmark. Common bookmarks in the eighteenth and nineteenth centuries were narrow silk ribbons bound into the book at the top of the spine and extended below the lower edge of the page. The first detachable bookmarks began appearing in the 1850's and were made from silk or embroidered fabrics. Not until the 1880's, did paper and other materials become more common.

The following centuries were spent on improving both the printing press and the conditions for freedom of the press through the gradual relaxation of restrictive censorship laws. See also intellectual property, public domain, copyright. In mid-20th century, Europe book production has risen to over 200,000 titles per year.

Structure of books

Template:Main Depending on a book's purpose or type (i.e. Encyclopedia, Dictionary, Textbook, Monograph), its structure varies, but some common structural parts of a book usually are:

  1. Book cover (hard or soft, fancy-looking, with illustration)
  2. Title page (shows title and author, often with small illustration or icon)
  3. Metrics page
  4. (sometimes - dedication page)
  5. Table of contents
  6. Preface
  7. Text of contents of the book
  8. Index

Conservation issues

In the mid-19th century, papers made from pulp (cellulose, wood) were introduced because it was cheaper than cloth-based papers (i.e. linen or abaca). Pulp based paper made cheap novels, cheap school text books and cheap books of all kinds available to the general public. This paved the way for huge leaps in the rate of literacy in industrialised nations and eased the spread of information during the Second Industrial Revolution.

However, this pulp paper contained acid that causes a sort of slow fires that eventually destroys the paper from within. Earlier techniques for making paper used limestone rollers which neutralized the acid in the pulp. Libraries today have to consider mass deacidification of their older collections. Books printed from 1850-1950 are at risk; more recent books are often printed on acid-free or alkaline paper.

The proper care of books takes into account the possibility of chemical changes to the cover and text. Books are best stored in reduced lighting, definitely out of direct sunlight, at cool temperatures, and at moderate humidity. Books, especially heavy ones, need the support of surrounding volumes to maintain their shape. It is desirable for that reason to group books by size.

Collections of books

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Maintaining a library used to be the privilege of princes, the wealthy, monasteries and other religious institutions, and universities. The growth of a public library system in the United States started in the late 19th century and was much helped by donations from Andrew Carnegie. This reflected classes in a society: The poor or the middle class had to share most books through a public library or by other means while the rich could afford to have a private library built into their homes.

The advent of paperback books in the 20th century led to an explosion of popular publishing. Paperback books made owning books affordable for many people. Paperback books often included works from genres that had previously been published mostly in pulp magazines. As a result of the low cost of such books and the spread of bookstores filled with them (in addition to the creation of a smaller market of extremely cheap used paperbacks) owning a private library ceased to be a status symbol for the rich.

While a small collection of books, or one to be used by a small number of people, can be stored in any way convenient to the owners, including a standard bookcase, a large or public collection requires a catalogue and some means of consulting it. Often codes or other marks have to be added to the books to speed the process of relating them to the catalogue and their correct shelf position. Where these identify a volume uniquely, they are referred to as "call numbers". In large libraries this call number is usually based on a Library classification system. The call number is placed inside the book and on the spine of the book, normally a short distance before the bottom, in accordance with institutional or national standards such as ANSI/NISO Z39.41 - 1997. This short (7 pages) standard also establishes the correct way to place information (such as the title or the name of the author) on book spines and on "shelvable" book-like objects such as containers for DVDs, video tapes and software.

In library and booksellers' catalogues, it is common to include an abbreviation such as "Crown 8vo" to indicate the paper size from which the book is made.

When rows of books are lined on a bookshelf, bookends are sometimes needed to keep them from slanting.

Keeping track of books

One of the earliest and most widely known systems of cataloguing books is the Dewey Decimal System. This system has fallen out of use in some places, mainly because of a Eurocentric bias and other difficulties applying the system to modern libraries. However, it is still used by most public libraries in America. Another popular classification system is the Library of Congress system, which is more popular in university libraries.

All books of the world are said to constitute the Gutenberg Galaxy, or, to use a term coined by eBook author Rick Sutcliffe in the early 1980s, the Metalibrary.

For the entire 20th century most librarians concerned with offering proper library services to the public (or a smaller subset such as students) worried about keeping track of the books being added yearly to the Gutenberg Galaxy. Through a global society called the International Federation of Library Associations (IFLA) they devised a series of tools such as the International Standard Book Description or ISBD.

Besides, each book is specified by an International Standard Book Number, or ISBN, which is unique to every book produced by participating publishers, world wide. It is managed by the ISBN Society. It has four parts. The first part is the country code, the second the publisher code, and the third the title code. The last part is a checksum or a check digit and can take values from 0-9 and X (10). The EAN Barcodes numbers for books are derived from the ISBN by prefixing 978, for Bookland and calculating a new check digit.

Many government publishers, in industrial countries as well as in developing countries, do not participate fully in the ISBN system. They often produce books which do not have ISBNs. In certain industrialized countries large classes of commercial books, such as novels, textbooks and other non-fiction books, are nearly always given ISBNs by publishers, thus giving the illusion to many customers that the ISBN is an international and complete system, with no exceptions.

Transition to digital format

The term e-book (electronic book) in the broad sense is an amount of information like a conventional book, but in digital form. It is made available through internet, CD-ROM, etc. In the popular press the term eBook sometimes refers to a device such as the Sony Librie EBR-1000EP, which is meant to read the digital form and present it to a human being.

Throughout the 20th century, libraries have faced an ever-increasing rate of publishing, sometimes called an information explosion. The advent of electronic publishing and the Internet means that much new information is not printed in paper books, but is made available online e.g. through a digital library, on CD-ROM, or in the form of e-books.

On the other hand, though books are nowadays produced using a digital version of the content, for most books such a version is not available to the public (i.e. neither in the library nor on the Internet), and there is no decline in the rate of paper publishing. There is an effort, however, to convert books that are in the public domain into a digital medium for unlimited redistribution and infinite availability. The effort is spearheaded by Project Gutenberg combined with Distributed Proofreaders.

There have also been new developments in the process of publishing books. Technologies such as print on demand have made it easier for less known authors to make their work available to a larger audience.

See also

Online book databases and lists

External links

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