Unreliable narrator
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In literature and film, an unreliable narrator (a term coined by Wayne Booth in his 1961 book The Rhetoric of Fiction [1]) is a first-person narrator, the credibility of whose point of view is seriously compromised, possibly by psychological instability, or a powerful bias, or else simply by a lack of knowledge. One of the earliest known examples of unreliable narration is Chaucer's The Canterbury Tales. In the Merchant's Tale, for instance, the narrator, being unhappy in his marriage, applies a misogynistic slant to much of his tale.
Many novels are narrated by children, whose inexperience makes them inherently unreliable. In The Adventures of Huckleberry Finn, for example, Huck's inexperience leads him to make overly charitable judgments about the characters in the novel; in contrast, Holden Caulfield, in The Catcher in the Rye, tends to assume the worst.
Many have suggested that all first-person narration, and indeed narration generally, is inescapably unreliable.
Works featuring unreliable narrators
Works of fiction featuring unreliable narrators:
- Machado de Assis's Dom Casmurro
- Will Christopher Baer's Phineas Poe Trilogy (as well as many of his short stories; his characters are often drug-addled and unstable.)
- Russell Banks' Cloudsplitter
- Emily Brontë's Wuthering Heights
- Anthony Burgess's A Clockwork Orange
- Geoffrey Chaucer's The Canterbury Tales
- Paddy Chayefsky's Altered States (novel and film)
- Agatha Christie's The Murder of Roger Ackroyd and Endless Night
- Mark Z. Danielewski's House of Leaves (the narrators narrate the other narrators' works)
- Fyodor Dostoyevsky's Notes from Underground
- Bret Easton Ellis's American Psycho and Glamorama
- William Faulkner's The Sound and the Fury and As I Lay Dying (this author specializes in unreliable narrators)
- F. Scott Fitzgerald's The Great Gatsby
- Ford Madox Ford's The Good Soldier
- Nathaniel Hawthorne's The Blithedale Romance (Miles Coverdale)
- Kazuo Ishiguro's The Remains of the Day, When We Were Orphans
- Henry James's The Turn of the Screw (the unnamed governess), The Sacred Fount
- Ken Kesey's One Flew Over the Cuckoo's Nest
- Daniel Keyes' Flowers for Algernon
- Marian Keyes' Rachel's Holiday
- John Knowles's A Separate Peace
- John Lanchester's The Debt to Pleasure
- Ring Lardner's Haircut
- Yann Martel's Life of Pi
- Edgar Lee Master's Spoon River Anthology
- Patrick McGrath's Spider
- Daphne du Maurier's Rebecca
- Vladimir Nabokov's Lolita (Humbert Humbert), Pale Fire (Charles Kinbote)
- Joyce Carol Oates' Zombie (this author specializes in unreliable narrators)
- Chuck Palahniuk's Fight Club (this author specializes in unreliable narrators)
- DBC Pierre's Vernon God Little
- Robert Pirsig's Zen and the Art of Motorcycle Maintenance
- Sylvia Plath's The Bell Jar
- Edgar Allan Poe's The Tell-Tale Heart, The Black Cat, The Premature Burial, The Cask of Amontillado, and Ligeia
- Philip Roth's Portnoy's Complaint
- J.D. Salinger's The Catcher in the Rye (Holden Caulfield)
- Boris and Arkady Strugatsky's The Little One, A Guy from Purgatory, and Beetle in an Anthill (these authors were very proficient with unreliable narrators)
- Italo Svevo's Confessions of Zeno
- Mark Twain's The Adventures of Huckleberry Finn
- John Varley's The Golden Globe
- Irvine Welsh's Trainspotting, and Marabou Stork Nightmares
- William Wharton's Birdy
- Gene Wolfe's The Book of the New Sun (this author specializes in unreliable narrators)
- Lu Xun's The True Story of Ah Q
- Truman Capote's A Jug of Silver
- H.G. Wells' The Magic Shop
Films with an unreliable point-of-view (or points-of-view):
- Adrian Lyne's Jacob's Ladder
- Alejandro Amenábar's Open Your Eyes (César)
- Akira Kurosawa's Rashomon, based on Akutagawa Ryunosuke's "In a Grove" and "Rashomon"
- Alain Resnais's Last Year in Marienbad
- Alexander Payne's Election
- Brad Anderson's The Machinist (Trevor Reznik)
- Bryan Singer's The Usual Suspects
- The Coen Brothers' Barton Fink
- Cameron Crowe's Vanilla Sky (David Aames)
- Christopher McQuarrie's The Usual Suspects (Verbal Kint)
- Christopher Nolan's Memento (Leonard Shelby)
- Danny Boyle's Trainspotting
- David Cronenberg's Videodrome (Max Renn) and eXistenZ
- David Fincher's Fight Club, based on the novel by Chuck Palahniuk
- David Lynch's Eraserhead (Henry Spencer), Lost Highway (Fred Madison), and Mulholland Dr. (Diane Selwyn)
- Gus Van Sant's Drugstore Cowboy.
- James Mangold's Identity
- Mary Harron's American Psycho, based on the novel by Bret Easton Ellis
- Paul Verhoeven's Total Recall, based on a short story by Philip K. Dick (Douglas Quaid)
- Raul Ruiz's Time Regained, based on the novel by Marcel Proust
- Rob Reiner's The Princess Bride (note that the grandfather can alter the story at will)
- Robert Bresson's A Gentle Woman
- Robert Wiene's The Cabinet of Dr. Caligari
- Ron Howard's A Beautiful Mind
- Stanley Kubrick's A Clockwork Orange, based on the novel by Anthony Burgess
- Terry Gilliam's Twelve Monkeys (James Cole), Brazil (Sam Lowry), and The Adventures of Baron Munchausen (Munchausen)
- Tim Burton's Big Fish
- Tomás Gutiérrez Alea's Memories of Underdevelopment
- Zhang Yimou's Hero
Video games that include unreliable narrators:
- Squaresoft's Final Fantasy VII (Cloud Strife), Final Fantasy X (Tidus), and Xenogears (Fei Fong Wong)
- Konami's Metal Gear Solid 2: Sons of Liberty (Raiden) and Silent Hill series (Harry Mason, James Sunderland, Heather Morris, and Henry Townshend)
- Capcom's Killer7 (Harman Smith)
- Bioware's Knights of the Old Republic (Bastila Shan)
Musical artists who are well known for unreliable narration:
- Eminem (e.g., Stan)
- Randy Newman (e.g., Short People)